Julien Perez

15 Titles

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La dune | ShotOnWhat?

Re-recording Mixer

La dune (2013)

Directed by: Yossi Aviram

Cinematography by: Antoine Héberlé

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Standard Speed Prime Lenses

Des gens qui s'embrassent | ShotOnWhat?

Re-recording Mixer

Des gens qui s'embrassent (2013)

Directed by: Danièle Thompson

Cinematography by: Jean-Marc Fabre

Edited by: Sylvie Landra

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Cosmopolis | ShotOnWhat?

Foley Recordist

Cosmopolis (2012)

Directed by: David Cronenberg

Cinematography by: Peter Suschitzky

Edited by: Ronald Sanders

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Cooke S4 Lenses

Day of the Falcon | ShotOnWhat?

Re-recording Mixer

Day of the Falcon (2011)

Directed by: Jean-Jacques Annaud

Cinematography by: Jean-Marie Dreujou

Edited by: Hervé Schneid

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Le code a changé | ShotOnWhat?

Re-recording Mixer

Le code a changé (2009)

Directed by: Danièle Thompson

Cinematography by: Jean-Marc Fabre

Edited by: Sylvie Landra

Cameras: Moviecam Compact MK2 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Micmacs à tire-larigot | ShotOnWhat?

Re-recording Mixer

Micmacs à tire-larigot (2009)

Directed by: Jean-Pierre Jeunet

Cinematography by: Tetsuo Nagata

Edited by: Hervé Schneid

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Classic Spherical Lenses

Celle que j'aime | ShotOnWhat?

Re-recording Mixer

Celle que j'aime (2009)

Directed by: Élie Chouraqui

Edited by: Franck Nakache, Jacques Witta

Cameras: Panavision Genesis Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses

Dante 01 | ShotOnWhat?

Re-recording Mixer

Dante 01 (2008)

Directed by: Marc Caro

Cinematography by: Jean Poisson

Edited by: Linda Attab, Sébastien Prangère

The Chronicles of Narnia: Prince Caspian | ShotOnWhat?

Sound Mix Technician

The Chronicles of Narnia: Prince Caspian (2008)

Directed by: Andrew Adamson

Cinematography by: Karl Walter Lindenlaub

Edited by: Josh Campbell, Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Zeiss Master Prime Lenses

Transporter 3 | ShotOnWhat?

Assistant Sound Re-recording Mixer

Transporter 3 (2008)

Directed by: Olivier Megaton

Cinematography by: Giovanni Fiore Coltellacci

Edited by: Camille Delamarre, Carlo Rizzo

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Hannibal Rising | ShotOnWhat?

Re-recording Mixer

Hannibal Rising (2007)

Directed by: Peter Webber

Cinematography by: Ben Davis

Edited by: Valerio Bonelli, Pietro Scalia

Mister Lonely | ShotOnWhat?

Re-recording Mixer

Mister Lonely (2007)

Directed by: Harmony Korine

Cinematography by: Marcel Zyskind

Edited by: Paul Zucker, Valdís Óskarsdóttir

12 | ShotOnWhat?

Assistant Sound Re-recording Mixer

12 (2007)

Directed by: Nikita Mikhalkov

Cinematography by: Vladislav Opelyants

Edited by: Enzo Meniconi, Andrey Zaytsev

Alexander | ShotOnWhat?

Sound Recordist

Alexander (2004)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: Yann Hervé, Gladys Joujou, Alex Marquez, Thomas J. Nordberg

8 femmes | ShotOnWhat?

Sound Recordist

8 femmes (2002)

Directed by: François Ozon

Cinematography by: Jeanne Lapoirie

Edited by: Laurence Bawedin

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