Colorist
Bardo: False Chronicle of a Handful of Truths (2022)
Directed by: Alejandro G. Iñárritu
Cinematography by: Darius Khondji
Cameras: ARRI ALEXA 65 Camera
Colorist
Some Kind of Heaven (2020)
Directed by: Lance Oppenheim
Cinematography by: David Bolen
Cameras: ARRI ALEXA Mini Camera
Colorist
The Last Black Man in San Francisco (2019)
Directed by: Joe Talbot
Cinematography by: Adam Newport-Berra
Edited by: David Marks
Cameras: ARRI ALEXA Mini Camera
Colorist
Waves (2019)
Directed by: Trey Edward Shults
Cinematography by: Drew Daniels
Cameras: ARRI ALEXA Mini Camera
Colorist
Uncut Gems (2019)
Cinematography by: Darius Khondji
Colorist
Vox Lux (2018)
Directed by: Brady Corbet
Cinematography by: Lol Crawley
Edited by: Matthew Hannam
Cameras: ARRICAM Lite (LT) Camera
Digital Intermediate Colorist
The Beguiled (2017)
Directed by: Sofia Coppola
Cinematography by: Philippe Le Sourd
Edited by: Sarah Flack
Cameras: ARRICAM Lite (LT) Camera
Additional Colorist
Zoolander 2 (2016)
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Digital Intermediate Colorist
Operator (2016)
Directed by: Logan Kibens
Cinematography by: Steeven Petitteville
Edited by: Logan Kibens
Cameras: ARRI AMIRA Series Cameras, Sony α7S Camera
Lenses: Zeiss Lenses
Colorist
Blue Caprice (2013)
Directed by: Alexandre Moors
Cinematography by: Brian O'Carroll
Cameras: ARRI ALEXA Plus Camera
Lenses: Zeiss Ultra Prime Lenses
