Jon Ziman-Bright

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In Fabric | ShotOnWhat?

Draughtsperson

In Fabric (2018)

Directed by: Peter Strickland

Cinematography by: Ari Wegner

Edited by: Mátyás Fekete

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux HP Zoom Lenses, Zeiss Super Speed Lenses

Outlaw King | ShotOnWhat?

Junior Draughtsman

Outlaw King (2018)

Directed by: David Mackenzie

Cinematography by: Barry Ackroyd

Edited by: Jake Roberts

Cameras: Panavision Millennium DXL Camera, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

Transformers: The Last Knight | ShotOnWhat?

Art Department Assistant

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Now Is Good | ShotOnWhat?

Art Department Assistant

Now Is Good (2012)

Directed by: Ol Parker

Cinematography by: Erik Wilson

Edited by: Peter Lambert

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Master Prime Lenses

Hard Shoulder | ShotOnWhat?

Art Department Assistant

Hard Shoulder (2012)

Directed by: Nicholas David Lean

Cinematography by: Steven Priovolos

Edited by: Derek Burgess

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

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