Aron Pinsky

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Footloose | ShotOnWhat?

Music Clearances

Footloose (2011)

Directed by: Craig Brewer

Cinematography by: Amy Vincent

Edited by: Billy Fox

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Jackass 3D | ShotOnWhat?

Music Clearances

Jackass 3D (2010)

Directed by: Jeff Tremaine

Cinematography by: Lance Bangs, Dimitry Elyashkevich, Rick Kosick

Edited by: Seth Casriel, Matthew Kosinski, Matthew Probst

Cameras: Phantom HD Camera, Red One Camera, Silicon Imaging SI-2K Camera

Dinner for Schmucks | ShotOnWhat?

Music Clearances

Dinner for Schmucks (2010)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten, Jon Poll

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Friday the 13th | ShotOnWhat?

Music Clearance

Friday the 13th (2009)

Directed by: Marcus Nispel

Cinematography by: Daniel Pearl

Edited by: Ken Blackwell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses

Cloverfield | ShotOnWhat?

Music Clearances

Cloverfield (2008)

Directed by: Matt Reeves

Cinematography by: Michael Bonvillain

Edited by: Kevin Stitt

Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Canon Lenses, Zeiss DigiPrime Lenses

Nacho Libre | ShotOnWhat?

Music Clearances

Nacho Libre (2006)

Directed by: Jared Hess

Cinematography by: Xavier Grobet

Edited by: Billy Weber

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