Additional Second Assistant Director: Second Unit
The Irishman (2019)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
Editing System: Lightworks Editing System
Second Second Assistant Director / Additional Second Assistant Director - 5 Episodes, 2021
The Morning Show (2019)
Directed by: Mimi Leder, Tucker Gates, David Frankel, Stacie Passon, Kevin Bray, Roxann Dawson, Michelle MacLaren, Lynn Shelton, Miguel Arteta, Lesli Linka Glatter, Victoria Mahoney, Rachel Morrison, Jessica Yu, Thomas Carter, Jennifer Getzinger, Millicent Shelton
Cinematography by: David Lanzenberg, Michael Grady, John Grillo, Tami Reiker, John Brawley, Jeffrey Waldron
Additional Second Assistant Director
Altergeist (2014)
Directed by: Tedi Sarafian
Cinematography by: Aaron Heck
Cameras: ARRI ALEXA Plus Camera, Indiecam Cameras, Silicon Imaging SI-2K Mini Camera, Sony PMW-F3 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens
Editing System: Final Cut Pro Editing System
Set Production Assistant: Reshoots
Sabotage (2014)
Directed by: David Ayer
Cinematography by: Bruce McCleery
Edited by: Dody Dorn
Set Production Assistant
The Judge (2014)
Directed by: David Dobkin
Cinematography by: Janusz Kaminski
Edited by: Mark Livolsi
Set Production Assistant: Reshoots
Identity Thief (2013)
Directed by: Seth Gordon
Cinematography by: Javier Aguirresarobe
Edited by: Peter Teschner
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Set Production Assistant
The Incredible Burt Wonderstone (2013)
Directed by: Don Scardino
Cinematography by: Matthew Clark
Edited by: Lee Haxall
Set Production Assistant: Reshoots
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Set Production Assistant: Reshoots
Crooked Arrows (2012)
Directed by: Steve Rash
Cinematography by: Dan Stoloff
Cameras: Red Epic Camera
Lenses: Angenieux Optimo Zoom Lenses
Additional Set Production Assistant
'Glee' Glease (2012)
Directed by: Michael Uppendahl
Cinematography by: Joaquin Sedillo
Edited by: Joe Leonard
Additional Set Production Assistant
'Glee' The New Rachel (2012)
Directed by: Brad Falchuk
Cinematography by: Joaquin Sedillo
Edited by: Doc Crotzer
Additional Set Production Assistant
'Glee' Britney 2.0 (2012)
Directed by: Alfonso Gomez-Rejon
Cinematography by: Joaquin Sedillo
Edited by: John Roberts
Additional Set Production Assistant
'Glee' The Break-Up (2012)
Directed by: Alfonso Gomez-Rejon
Cinematography by: Joaquin Sedillo
Edited by: Doc Crotzer
Additional Set Production Assistant
'Glee' The Role You Were Born to Play (2012)
Directed by: Brad Falchuk
Cinematography by: Joaquin Sedillo
Edited by: John Roberts
Additional Set Production Assistant - 5 Episodes, 2012
Glee (2009)
Directed by: Bradley Buecker, Brad Falchuk, Eric Stoltz, Paris Barclay, Ian Brennan, Ryan Murphy, Alfonso Gomez-Rejon, Elodie Keene, Adam Shankman, Paul McCrane, Wendey Stanzler, John Scott, Carol Banker, Tate Donovan, Michael Uppendahl, Barbara Brown, Bill D'Elia, Joss Whedon, Tim Hunter, Matthew Morrison, Sanaa Hamri, Dante Di Loreto, Anthony Hemingway, Michael Hitchcock, Joaquin Sedillo
