Gautier Carbonneaux

12 Titles

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Tsunami | ShotOnWhat?

Assistant Music Mixer

Tsunami (2015)

Directed by: Jacques Deschamps

Cinematography by: Octávio Espírito Santo

Edited by: Luc Forveille

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Angenieux Lenses

3 Days to Kill | ShotOnWhat?

Assistant Music Recording

3 Days to Kill (2014)

Directed by: McG

Cinematography by: Thierry Arbogast

Edited by: Audrey Simonaud

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses: Technovision Lenses, Zeiss Super Speed Lenses

Respire | ShotOnWhat?

Assistant Music Mixer / Assistant: Music Recordist

Respire (2014)

Directed by: Mélanie Laurent

Cinematography by: Arnaud Potier

Edited by: Guerric Catala

Cameras: ARRI ALEXA Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Canon K35 Prime Lenses

Bon rétablissement ! | ShotOnWhat?

Assistant Music Mixer

Bon rétablissement ! (2014)

Directed by: Jean Becker

Cinematography by: Jean-Claude Larrieu

Edited by: Franck Nakache, Jacques Witta

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Denis | ShotOnWhat?

Assistant Music Mixer

Denis (2013)

Directed by: Lionel Bailliu

Cinematography by: Stéphane Le Parc

Edited by: Vincent Zuffranieri

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Au bout du conte | ShotOnWhat?

Assistant Music Mixer

Au bout du conte (2013)

Directed by: Agnès Jaoui

Cinematography by: Lubomir Bakchev

Edited by: Fabrice Rouaud

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Les invincibles | ShotOnWhat?

Assistant Music Recording

Les invincibles (2013)

Directed by: Frédéric Berthe

Cinematography by: David Quesemand

Edited by: Vanessa Basté, Hugues Darmois, Stéphane Garnier

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Cooke Lenses

Populaire | ShotOnWhat?

Assistant Music Mixer

Populaire (2012)

Directed by: Régis Roinsard

Cinematography by: Guillaume Schiffman

Edited by: Laure Gardette, Sophie Reine

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Plan de table | ShotOnWhat?

Assistant Music Mixer / Assistant Music Recording

Plan de table (2012)

Directed by: Christelle Raynal

Cinematography by: Éric Guichard

Edited by: Philippe Bourgueil

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Thérèse | ShotOnWhat?

Assistant Music Mixer

Thérèse (2012)

Directed by: Claude Miller

Cinematography by: Gérard de Battista

Edited by: Véronique Lange

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Alura Lenses

L'homme qui rit | ShotOnWhat?

Assistant Music Mixer

L'homme qui rit (2012)

Directed by: Jean-Pierre Améris

Cinematography by: Gérard Simon

Edited by: Philippe Bourgueil

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Case départ | ShotOnWhat?

Assistant Music Mixer

Case départ (2011)

Directed by: Lionel Steketee, Fabrice Eboué, Thomas N'Gijol

Cinematography by: Jean-Claude Aumont

Edited by: Frédérique Olszak

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