Nadine Herrmann

6 Titles

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Kick-Ass | ShotOnWhat?

Assistant Set Decoration

Kick-Ass (2010)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Eddie Hamilton, Jon Harris, Pietro Scalia

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Never Let Me Go | ShotOnWhat?

Art Department Assistant

Never Let Me Go (2010)

Directed by: Mark Romanek

Cinematography by: Adam Kimmel

Edited by: Barney Pilling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Io sono l'amore | ShotOnWhat?

Art Director: UK

Io sono l'amore (2009)

Directed by: Luca Guadagnino

Cinematography by: Yorick Le Saux

Edited by: Walter Fasano

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Zeiss ARRI Macro Lenses

Last Chance Harvey | ShotOnWhat?

Art Department Assistant

Last Chance Harvey (2008)

Directed by: Joel Hopkins

Cinematography by: John de Borman

Edited by: Robin Sales

Happy-Go-Lucky | ShotOnWhat?

Art Department Assistant

Happy-Go-Lucky (2008)

Directed by: Mike Leigh

Cinematography by: Dick Pope

Edited by: Jim Clark

Cameras: ARRI ARRIFLEX Series Cameras

28 Weeks Later | ShotOnWhat?

Art Department Runner

28 Weeks Later (2007)

Directed by: Juan Carlos Fresnadillo

Cinematography by: Enrique Chediak

Edited by: Chris Gill

Cameras: Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera

Lenses: Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

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