Music Editor
The Grand Budapest Hotel (2014)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Barney Pilling
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses, Cooke Varotal Lenses, Technovision Techno-Cooke Anamorphic Zoom 40-200mm T4.5 Lens
Editing System: Avid Editing System
Assistant Engineer: Music Recording
Blood Ties (2013)
Directed by: Guillaume Canet
Cinematography by: Christophe Offenstein
Edited by: Hervé de Luze
Cameras: ARRI ALEXA Plus Camera
Music Editor
L'écume des jours (2013)
Directed by: Michel Gondry
Cinematography by: Christophe Beaucarne
Edited by: Marie-Charlotte Moreau
Cameras: Red Epic Camera
Music Recordist
Paris-Manhattan (2012)
Directed by: Sophie Lellouche
Cinematography by: Laurent Machuel
Edited by: Monica Coleman
Cameras: ARRICAM Lite (LT) Camera
Music Editor
Nous York (2012)
Cinematography by: Stéphane Le Parc
Edited by: Benjamin Weill
Cameras: ARRI ALEXA Camera
Music Recordist
Bienvenue à bord (2011)
Directed by: Eric Lavaine
Cinematography by: Stéphane Le Parc
Edited by: Vincent Zuffranieri
Cameras: ARRI ALEXA Camera
Music Mixing Assistant
Sound of Noise (2010)
Cinematography by: Charlotta Tengroth
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Angenieux Optimo 24-290 mm T2.8 Lens, ARRI Lenses, Zeiss Ultra Prime Lenses
Editing System: Final Cut Pro Editing System
Music Assistant
OSS 117: Lost in Rio (2009)
Directed by: Michel Hazanavicius
Cinematography by: Guillaume Schiffman
Edited by: Reynald Bertrand
