Hair And Makeup Artist
'The Crown' Ipatiev House (2022)
Directed by: Christian Schwochow
Cinematography by: Frank Lamm
Edited by: Simon Brasse
Hair & Makeup
'The Crown' War (2020)
Directed by: Jessica Hobbs
Cinematography by: Ben Wilson
Edited by: Celia Haining
Hair & Makeup
'The Crown' Avalanche (2020)
Directed by: Jessica Hobbs
Cinematography by: Ben Wilson
Edited by: Paulo Pandolpho
Hair & Makeup
'The Crown' 48:1 (2020)
Directed by: Julian Jarrold
Cinematography by: Stuart Howell
Edited by: Mark Davis
Hair & Makeup
'The Crown' The Hereditary Principle (2020)
Directed by: Jessica Hobbs
Cinematography by: Ben Wilson
Edited by: Morten Højbjerg
Hair & Makeup
'The Crown' Gold Stick (2020)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Frances Parker
Hair & Makeup
'The Crown' The Balmoral Test (2020)
Directed by: Paul Whittington
Cinematography by: Adriano Goldman
Edited by: Simon Brasse
Hair & Makeup
'The Crown' Fairytale (2020)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Yan Miles
Hair & Makeup
'The Crown' Favourites (2020)
Directed by: Paul Whittington
Cinematography by: Adriano Goldman
Edited by: Richard Graham
Hair & Makeup
'The Crown' Fagan (2020)
Directed by: Paul Whittington
Cinematography by: Adriano Goldman
Edited by: Ben Yeates
Hair & Makeup
'The Crown' Terra Nullius (2020)
Directed by: Julian Jarrold
Cinematography by: Stuart Howell
Edited by: Lucia Zucchetti
Additional Makeup And Hair
Mission: Impossible - Fallout (2018)
Directed by: Christopher McQuarrie
Cinematography by: Rob Hardy
Edited by: Eddie Hamilton
Additional Hair & Makeup Artist
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Crowd Hair & Makeup Trainee
The Imitation Game (2014)
Directed by: Morten Tyldum
Cinematography by: Oscar Faura
Edited by: William Goldenberg
Lenses: Zeiss Master Prime Lenses
Daily Makeup Trainee
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Daily Crowd Trainee
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Makeup Artist
Candle to Water (2012)
Directed by: Nihat Seven
Cinematography by: Rod Marley
Edited by: Nigel Galt
Crowd Hair Trainee
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Daily Makeup Trainee
Anna Karenina (2012)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Melanie Oliver
