Wen Hsuan Tseng

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Eileen | ShotOnWhat?

Foley Supervisor

Eileen (2023)

Directed by: William Oldroyd

Cinematography by: Ari Wegner

Edited by: Nick Emerson

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Bausch & Lomb Super Baltar Lenses

The Sun Is Also a Star | ShotOnWhat?

Foley Editor

The Sun Is Also a Star (2019)

Directed by: Ry Russo-Young

Cinematography by: Autumn Durald Arkapaw

Edited by: Joe Landauer

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

To All the Boys I've Loved Before | ShotOnWhat?

Foley Editor

To All the Boys I've Loved Before (2018)

Directed by: Susan Johnson

Cinematography by: Michael Fimognari

Edited by: Phillip J. Bartell, Joe Klotz

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision C Series Anamorphic Lenses

Hereditary | ShotOnWhat?

Foley Editor

Hereditary (2018)

Directed by: Ari Aster

Cinematography by: Pawel Pogorzelski

Edited by: Lucian Johnston, Jennifer Lame

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Greatest Showman | ShotOnWhat?

Foley Editor

The Greatest Showman (2017)

Directed by: Michael Gracey

Cinematography by: Seamus McGarvey

Edited by: Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

"Broad City" Mushrooms | ShotOnWhat?

Foley Editor

'Broad City' Mushrooms (2017)

Television Episode

Directed by: Nicholas Jasenovec

Cinematography by: Chris Teague

Edited by: Kate Pedatella, Jon Philpot

Before I Fall | ShotOnWhat?

Foley Editor

Before I Fall (2017)

Directed by: Ry Russo-Young

Cinematography by: Michael Fimognari

Edited by: Joe Landauer

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Plus Lenses

Ghost Team | ShotOnWhat?

Foley Editor

Ghost Team (2016)

Directed by: Oliver Irving

Cinematography by: Timothy Naylor

Edited by: Oliver Irving

Cold in July | ShotOnWhat?

Foley Recordist

Cold in July (2014)

Directed by: Jim Mickle

Cinematography by: Ryan Samul

Edited by: John Paul Horstmann, Jim Mickle

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Broad City | ShotOnWhat?

Foley Editor - 1 Episode, 2017

Broad City (2014)

Television Series

Directed by: Lucia Aniello, Nicholas Jasenovec, John Lee, Ilana Glazer, Abbi Jacobson, Todd Biermann, Michael Blieden, Jeff Tomsic, Ryan McFaul, Amy Poehler, Neil Daly, Lilly Burns, Paul W. Downs, Nick Paley

Cinematography by: Steven Capitano Calitri, Chris Teague, Ashley Connor, Paul Koestner

Edited by: Elizabeth Merrick, Laura Weinberg, Jessica Brunetto, Jon Philpot, Nick Mougis, Alex Minnick, Kate Pedatella, Samuel Rosenberg, Nick Paley, Jon Higgins, Warren Paley

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo DP Zoom Lenses, Cooke S4/i Lenses

Let's Be Cops | ShotOnWhat?

Foley Editor

Let's Be Cops (2014)

Directed by: Luke Greenfield

Cinematography by: Daryn Okada

Edited by: Bill Pankow, Jonathan Schwartz

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Begin Again | ShotOnWhat?

Foley Recordist

Begin Again (2013)

Directed by: John Carney

Cinematography by: Yaron Orbach

Edited by: Andrew Marcus

Cameras: Red Epic Camera

Editing System: Adobe Premiere Editing System

We Are What We Are | ShotOnWhat?

Background Sound Editor / Foley Editor / Foley Recordist

We Are What We Are (2013)

Directed by: Jim Mickle

Cinematography by: Ryan Samul

Edited by: Jim Mickle

Cameras: Red Epic Camera

Lenses: Red Pro Prime Lenses, Red Pro Zoom Lenses

The Bling Ring | ShotOnWhat?

Adr Recordist

The Bling Ring (2013)

Directed by: Sofia Coppola

Cinematography by: Christopher Blauvelt, Harris Savides

Edited by: Sarah Flack

Cameras: Red Epic Camera

Thanks for Sharing | ShotOnWhat?

Foley Editor

Thanks for Sharing (2012)

Directed by: Stuart Blumberg

Cinematography by: Yaron Orbach

Edited by: Anne McCabe

Cameras: ARRI ALEXA Camera

Lola Versus | ShotOnWhat?

Adr Assistant

Lola Versus (2012)

Directed by: Daryl Wein

Cinematography by: Jakob Ihre

Edited by: Suzy Elmiger, Susan Littenberg

Moonrise Kingdom | ShotOnWhat?

Adr Assistant

Moonrise Kingdom (2012)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Andrew Weisblum

Cameras: Aaton A-Minima Camera, Aaton Xterà Camera

Lenses: Canon Lenses, Zeiss Super Speed Lenses

Side by Side | ShotOnWhat?

Sound Editor

Side by Side (2012)

Directed by: Christopher Kenneally

Cinematography by: Chris Cassidy

Edited by: Malcolm Hearn, Mike Long

The Art of Getting By | ShotOnWhat?

Sound Apprentice

The Art of Getting By (2011)

Directed by: Gavin Wiesen

Cinematography by: Ben Kutchins

Edited by: Mollie Goldstein

Gui si | ShotOnWhat?

Script Supervisor

Gui si (2006)

Directed by: Chao-Bin Su

Cinematography by: Arthur Wong

Edited by: Ka-Fai Cheung

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