Rachel Jacob

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Midnight Special | ShotOnWhat?

Casting Associate

Midnight Special (2016)

Directed by: Jeff Nichols

Cinematography by: Adam Stone

Edited by: Julie Monroe

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Oblivion | ShotOnWhat?

Production Assistant

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

21 Jump Street | ShotOnWhat?

Basecamp Production Assistant

21 Jump Street (2012)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera

Battleship | ShotOnWhat?

Production Assistant

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Contraband | ShotOnWhat?

Production Assistant

Contraband (2012)

Directed by: Baltasar Kormákur

Cinematography by: Barry Ackroyd

Edited by: Elísabet Ronaldsdóttir

Cameras: Aaton Penelope Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses

The Campaign | ShotOnWhat?

Production Assistant

The Campaign (2012)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Craig Alpert, Jon Poll

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Abraham Lincoln: Vampire Hunter | ShotOnWhat?

Production Assistant

Abraham Lincoln: Vampire Hunter (2012)

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

Seeking Justice | ShotOnWhat?

Production Assistant

Seeking Justice (2011)

Directed by: Roger Donaldson

Cinematography by: David Tattersall

Edited by: Jay Cassidy

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Battle Los Angeles | ShotOnWhat?

Set Production Assistant

Battle Los Angeles (2011)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Christian Wagner

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

"Treme" What is New Orleans? | ShotOnWhat?

Epk Producer

'Treme' What is New Orleans? (2011)

Television Episode

Directed by: Adam Davidson

Cinematography by: Ivan Strasburg

Edited by: Brian A. Kates

"Treme" Carnival Time | ShotOnWhat?

Epk Producer

'Treme' Carnival Time (2011)

Television Episode

Directed by: Brad Anderson

Cinematography by: Ivan Strasburg

Edited by: Malcolm Jamieson

Jonah Hex | ShotOnWhat?

Set Production Assistant

Jonah Hex (2010)

Directed by: Jimmy Hayward

Cinematography by: Mitchell Amundsen

Edited by: Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Treme | ShotOnWhat?

Epk Producer - 4 Episodes, 2010-2011

Treme (2010)

Television Series

Directed by: Anthony Hemingway, Ernest R. Dickerson, Agnieszka Holland, Jim McKay, Brad Anderson, Simon Cellan Jones, Adam Davidson, Roxann Dawson, Tim Robbins, Alex Hall, Daniel Attias, Christine Moore, Rob Bailey, Alex Zakrzewski

Cinematography by: Ivan Strasburg, Irek Hartowicz, Tim Ives, Lisa Rinzler

Edited by: Alex Hall, Malcolm Jamieson, Naomi Geraghty, Brian A. Kates, Kate Sanford, Matthew Booras, Bill Pankow

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

"Treme" Wish Someone Would Care | ShotOnWhat?

Epk Producer

'Treme' Wish Someone Would Care (2010)

Television Episode

Directed by: Daniel Attias

Cinematography by: Ivan Strasburg

Edited by: Malcolm Jamieson

"Treme" All on a Mardi Gras Day | ShotOnWhat?

Epk Producer

'Treme' All on a Mardi Gras Day (2010)

Television Episode

Directed by: Anthony Hemingway

Cinematography by: Ivan Strasburg

Edited by: Alex Hall

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