Production Controller: China
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Additional Accountant: Broome
Bran Nue Dae (2009)
Directed by: Rachel Perkins
Cinematography by: Andrew Lesnie
Edited by: Rochelle Oshlack
Production Accountant
Push (2009)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Nicolas Trembasiewicz
Production Accountant
The Children of Huang Shi (2008)
Directed by: Roger Spottiswoode
Cinematography by: Xiaoding Zhao
Assistant Production Accountant: Second Unit
Ultraviolet (2006)
Directed by: Kurt Wimmer
Cinematography by: Arthur Wong
Edited by: William Yeh
Production Accountant
Pitch Black (2000)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Rick Shaine
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Production Accountant
The Ripper (1997)
Directed by: Janet Meyers
Cinematography by: Martin McGrath
Edited by: Elba Sanchez-Short
Production Accountant
No Escape (1994)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: ARRIFLEX 35 BL4 Camera
Production Accountant
Till There Was You (1991)
Directed by: John Seale
Cinematography by: Geoffrey Simpson
Edited by: Jill Bilcock
