Douglas Dean III

19 Titles

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The Day the Earth Stood Still | ShotOnWhat?

First Assistant Director: Second Unit

The Day the Earth Stood Still (2008)

Directed by: Scott Derrickson

Cinematography by: David Tattersall

Edited by: Wayne Wahrman

Cameras: Panavision Cameras

Ghost Rider | ShotOnWhat?

First Assistant Director: Re-shoots; Additional Photography

Ghost Rider (2007)

Directed by: Mark Steven Johnson

Cinematography by: Russell Boyd

Edited by: Richard Francis-Bruce

Cameras: Panavision Cameras

Shooter | ShotOnWhat?

First Assistant Director: Second Unit

Shooter (2007)

Directed by: Antoine Fuqua

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV, Eric A. Sears

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Night at the Museum | ShotOnWhat?

Additional First Assistant Director

Night at the Museum (2006)

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Don Zimmerman

The Island | ShotOnWhat?

First Assistant Director: Second Unit

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Scary Movie 3 | ShotOnWhat?

First Assistant Director: Second Unit, Additional Photography

Scary Movie 3 (2003)

Directed by: David Zucker

Cinematography by: Mark Irwin

Edited by: Malcolm Campbell, Jon Poll

A Guy Thing | ShotOnWhat?

First Assistant Director: Second Unit, Vancouver

A Guy Thing (2003)

Directed by: Chris Koch

Cinematography by: Robbie Greenberg

Edited by: David Moritz

Broken Arrow | ShotOnWhat?

First Assistant Director: Second Unit

Broken Arrow (1996)

Directed by: John Woo

Cinematography by: Peter Levy

Edited by: Joe Hutshing, Steve Mirkovich, John Wright

Cameras: Panavision Cameras

Glory | ShotOnWhat?

Second Assistant Director

Glory (1989)

Directed by: Edward Zwick

Cinematography by: Freddie Francis

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Gold II Camera

Rambo III | ShotOnWhat?

Second Assistant Director

Rambo III (1988)

Directed by: Peter MacDonald

Cinematography by: John Stanier

Edited by: O. Nicholas Brown, Andrew London, James R. Symons, Edward Warschilka

The Wild Life | ShotOnWhat?

Additional Assistant Director

The Wild Life (1984)

Directed by: Art Linson

Cinematography by: James Glennon

Edited by: Michael Jablow

Six Pack | ShotOnWhat?

Production Assistant

Six Pack (1982)

Directed by: Daniel Petrie

Cinematography by: Mario Tosi

Edited by: Rita Roland

Take This Job and Shove It | ShotOnWhat?

Assistant Director Trainee

Take This Job and Shove It (1981)

Directed by: Gus Trikonis

Cinematography by: James Devis

Edited by: Richard Belding

A Force of One | ShotOnWhat?

Production Assistant

A Force of One (1979)

Directed by: Paul Aaron

Cinematography by: Roger Shearman

Edited by: Anne Goursaud, Bert Lovitt

Boulevard Nights | ShotOnWhat?

Production Assistant

Boulevard Nights (1979)

Directed by: Michael Pressman

Cinematography by: John Bailey

Edited by: Richard Halsey

Cameras: Panavision Cameras

Annie Hall | ShotOnWhat?

Production Assistant

Annie Hall (1977)

Directed by: Woody Allen

Cinematography by: Gordon Willis

Edited by: Wendy Greene Bricmont, Ralph Rosenblum

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Telefon | ShotOnWhat?

Production Assistant

Telefon (1977)

Directed by: Don Siegel

Cinematography by: Michael C. Butler

Edited by: Douglas Stewart

Dog Day Afternoon | ShotOnWhat?

Production Assistant

Dog Day Afternoon (1975)

Directed by: Sidney Lumet

Cinematography by: Victor J. Kemper

Edited by: Dede Allen

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Across 110th Street | ShotOnWhat?

Production Assistant

Across 110th Street (1972)

Directed by: Barry Shear

Cinematography by: Jack Priestley

Edited by: Byron 'Buzz' Brandt, Carl Pingitore

Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera

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