Visual Effects Supervisor: Sebastian Barker
Ophelia (2018)
Directed by: Claire McCarthy
Cinematography by: Denson Baker
Edited by: Luke Dunkley
Lenses: Angenieux Optimo Anamorphic 44-440 mm A2S T4.5 Lens, Hawk C-Series 100 mm T3.0 Lens, Hawk C-Series 40 mm T2.2 Lens, Hawk C-Series 50 mm T2.2 Lens, Hawk C-Series 75 mm T2.2 Lens, Hawk Super Wide Angle Zoom 10-24 mm T2.5 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Series 180 mm T3.0 Lens, Hawk V-Series 250 mm T3.0 Lens
Visual Effects Supervisor: Sebastian Barker
A Long Way Down (2014)
Directed by: Pascal Chaumeil
Cinematography by: Ben Davis
Cameras: ARRI ALEXA Camera
Visual Effects Supervisor: Sebastian Barker
The Sweeney (2012)
Directed by: Nick Love
Cinematography by: Simon Dennis
Edited by: James Herbert
Cameras: ARRI ALEXA Camera, Red One MX Camera
Cg Artist: Rushes Film & TV
Wuthering Heights (2011)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Nicolas Chaudeurge
Visual Effects Artist
The Eagle (2011)
Directed by: Kevin Macdonald
Cinematography by: Anthony Dod Mantle
Edited by: Justine Wright
3D Artist: Rushes Film & TV / Stunts: Visual Effects Second Unit
Vampire Killers (2009)
Directed by: Phil Claydon
Cinematography by: David Higgs
Edited by: James Herbert
Cameras: Red One Camera
CG Artist: Rushes Post Production
RocknRolla (2008)
Directed by: Guy Ritchie
Cinematography by: David Higgs
Edited by: James Herbert
Cameras: ARRIFLEX D-20 Camera
Visual Effects Artist
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Digital Effects Artist
28 Weeks Later (2007)
Directed by: Juan Carlos Fresnadillo
Cinematography by: Enrique Chediak
Edited by: Chris Gill
