Mike Hohe

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Divergent | ShotOnWhat?

Labor Foreman

Divergent (2014)

Directed by: Neil Burger

Cinematography by: Alwin H. Küchler

Edited by: Richard Francis-Bruce, Nancy Richardson

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

Public Enemies | ShotOnWhat?

Labor Foreman

Public Enemies (2009)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

Stranger Than Fiction | ShotOnWhat?

Carpenter

Stranger Than Fiction (2006)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Novocaine | ShotOnWhat?

Carpenter

Novocaine (2001)

Directed by: David Atkins

Cinematography by: Vilko Filac

Edited by: Melody London

Mercury Rising | ShotOnWhat?

Carpenter: Chicago

Mercury Rising (1998)

Directed by: Harold Becker

Cinematography by: Michael Seresin

Edited by: Peter Honess

Soul Food | ShotOnWhat?

Carpenter

Soul Food (1997)

Directed by: George Tillman Jr.

Cinematography by: Paul Elliott

Edited by: John Carter

Curly Sue | ShotOnWhat?

Special Effects

Curly Sue (1991)

Directed by: John Hughes

Cinematography by: Jeffrey L. Kimball

Edited by: Peck Prior, Harvey Rosenstock

Cameras: Panavision Cameras

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