Special Effects Coordinator: Second Unit Coordinator
The Killer (2023)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Editing System: Adobe Premiere Editing System
Special Effects Coordinator: Additional Photography
Mank (2020)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Cameras: Red Digital Cinema Cameras
Lenses: Leitz Summilux-C Series Lenses
Special Effects Coordinator
'Revenge' Loss (2015)
Directed by: Helen Hunt
Cinematography by: Cynthia Pusheck
Edited by: Lauren A. Schaffer
Special Effects Coordinator
'Revenge' Epitaph (2015)
Directed by: Bobby Roth
Cinematography by: Cynthia Pusheck
Edited by: Lauren A. Schaffer
Special Effects Coordinator
'Revenge' Abduction (2015)
Directed by: John Scott
Cinematography by: Cynthia Pusheck
Edited by: John Axness
Special Effects Coordinator
'Revenge' Madness (2015)
Directed by: Matt Shakman
Cinematography by: John Smith
Edited by: Sunny Hodge
Special Effects Coordinator
'Revenge' Kindred (2015)
Directed by: Colin Bucksey
Cinematography by: John Smith
Edited by: Lauren A. Schaffer
Special Effects Coordinator
'Revenge' Retaliation (2015)
Directed by: Alrick Riley
Cinematography by: John Smith
Edited by: John Axness
Special Effects Coordinator
'Revenge' Bait (2015)
Directed by: Ty Trullinger
Cinematography by: Cynthia Pusheck
Edited by: Sunny Hodge
Special Effects Coordinator
'Revenge' Exposure (2015)
Directed by: Jennifer Wilkinson
Edited by: Sue Blainey
Special Effects Coordinator
'Revenge' Clarity (2015)
Directed by: Allison Liddi-Brown
Cinematography by: John Smith
Edited by: Sunny Hodge
Special Effects Coordinator
'Revenge' Aftermath (2015)
Directed by: Rob Greenlea
Cinematography by: John Smith
Edited by: Lauren A. Schaffer
Special Effects Coordinator
'Revenge' Plea (2015)
Directed by: J. Miller Tobin
Cinematography by: Cynthia Pusheck
Edited by: Sunny Hodge
Special Effects Coordinator
'Revenge' Two Graves (2015)
Directed by: John Terlesky
Cinematography by: John Smith
Edited by: John Axness
Special Effects Coordinator
'Revenge' Atonement (2014)
Directed by: John Terlesky
Cinematography by: John Smith
Edited by: John Axness
Special Effects Coordinator
'Revenge' Intel (2014)
Directed by: Wendey Stanzler
Cinematography by: Cynthia Pusheck
Edited by: Sunny Hodge
Special Effects Coordinator
'Revenge' Contact (2014)
Directed by: Paul Holahan
Cinematography by: John Smith
Edited by: Lauren A. Schaffer
Special Effects Coordinator
'Revenge' Ambush (2014)
Directed by: Hanelle M. Culpepper
Cinematography by: Cynthia Pusheck
Edited by: John Axness
Special Effects Coordinator
'Revenge' Repercussions (2014)
Directed by: Kate Woods
Cinematography by: Cynthia Pusheck
Edited by: Lauren A. Schaffer
Special Effects Coordinator / Special Effects
Altergeist (2014)
Directed by: Tedi Sarafian
Cinematography by: Aaron Heck
Cameras: ARRI ALEXA Plus Camera, Indiecam Cameras, Silicon Imaging SI-2K Mini Camera, Sony PMW-F3 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens
Editing System: Final Cut Pro Editing System
Special Effects Coordinator
'Revenge' Damage (2014)
Directed by: John Terlesky
Cinematography by: John Smith
Edited by: Sunny Hodge
Special Effects Coordinator
'Revenge' Meteor (2014)
Directed by: J. Miller Tobin
Cinematography by: John Smith
Edited by: John Axness
Special Effects Coordinator
'Revenge' Ashes (2014)
Directed by: Colin Bucksey
Cinematography by: Cynthia Pusheck
Edited by: Sunny Hodge
Special Effects Coordinator
'Revenge' Disclosure (2014)
Directed by: Kenneth Fink
Cinematography by: John Smith
Edited by: Lauren A. Schaffer
Special Effects Coordinator
'Revenge' Renaissance (2014)
Directed by: John Terlesky
Cinematography by: Cynthia Pusheck
Edited by: John Axness
Special Effects Coordinator
'Breakout Kings' Served Cold (2012)
Directed by: Guy Ferland
Cinematography by: Fernando Argüelles
Edited by: Eric Seaburn
Special Effects Coordinator
'Breakout Kings' An Unjust Death (2012)
Directed by: Billy Gierhart
Cinematography by: Fernando Argüelles
Edited by: Eric Seaburn
Special Effects Coordinator
'Breakout Kings' Round Two (2012)
Directed by: Tim Hunter
Cinematography by: Fernando Argüelles
Edited by: Scott Eilers
Special Effects Coordinator
'Breakout Kings' Double Down (2012)
Directed by: Clark Johnson
Cinematography by: Fernando Argüelles
Edited by: Etienne Des Lauriers
Special Effects Coordinator
'Breakout Kings' Cruz Control (2012)
Directed by: Bobby Roth
Cinematography by: Fernando Argüelles
Edited by: Eric Seaburn
Special Effects Coordinator
'Breakout Kings' Self Help (2012)
Directed by: Bryan Spicer
Cinematography by: Fernando Argüelles
Edited by: Scott Eilers
Special Effects Coordinator
'Breakout Kings' I Smell Emmy (2012)
Directed by: Clark Johnson
Cinematography by: Fernando Argüelles
Edited by: Etienne Des Lauriers
Special Effects Coordinator
'Breakout Kings' Ain't Love (50) Grand? (2012)
Directed by: Guy Ferland
Cinematography by: Fernando Argüelles
Edited by: Eric Seaburn
Special Effects Coordinator
'Breakout Kings' SEALd Fate (2012)
Directed by: Mel Damski
Cinematography by: Fernando Argüelles
Edited by: Etienne Des Lauriers
Special Effects Coordinator
'Breakout Kings' Freakshow (2012)
Directed by: Michael Waxman
Cinematography by: Fernando Argüelles
Edited by: Etienne Des Lauriers
Special Effects Coordinator - 10 Episodes, 2012
Breakout Kings (2011)
Directed by: Guy Ferland, Billy Gierhart, Mel Damski, Michael Waxman, Gavin Hood, Clark Johnson, Phil Abraham, Adam Arkin, Sanford Bookstaver, Jean de Segonzac, Jonathan Glassner, Gloria Muzio, Tim Hunter, Bobby Roth, Bryan Spicer
Cameras: Panavision Genesis Camera
Special Effects Coordinator - 23 Episodes, 2014-2015
Revenge (2011)
Directed by: Kenneth Fink, J. Miller Tobin, Bobby Roth, Matt Earl Beesley, John Terlesky, Sanford Bookstaver, Colin Bucksey, Matt Shakman, John Scott, Randy Zisk, Allison Liddi-Brown, Wendey Stanzler, Tim Hunter, Phillip Noyce, Christopher Misiano, Helen Hunt, Jennifer Wilkinson, Bethany Rooney, Jamie Babbit, David Grossman, Eric Laneuville, Jennifer Getzinger, Roger Kumble, Stefan Schwartz, Charlie Stratton, Hanelle M. Culpepper, Paul Holahan, Christine Moore, Romeo Tirone, Tara Nicole Weyr, Kate Woods, Rob Greenlea, Alrick Riley, Ty Trullinger
Edited by: Sue Blainey, John Axness, Conrad Smart, Martin Nicholson, John M. Valerio, Jennifer Barbot, Sunny Hodge, Lauren A. Schaffer, Lynne Willingham, Scott Gamzon, Chris Figler, Lance Luckey
Cameras: ARRI ALEXA Camera, Sony PMW-F3 Camera
Special Effects Foreman
Cirque du Freak: The Vampire's Assistant (2009)
Directed by: Paul Weitz
Cinematography by: James M. Muro
Edited by: Leslie Jones
Special Effects Coordinator: Additional Photography
Sorority Row (2009)
Directed by: Stewart Hendler
Cinematography by: Ken Seng
Edited by: Elliot Greenberg
Mechanical Effects Assistant
Resident Evil: Extinction (2007)
Directed by: Russell Mulcahy
Cinematography by: David Johnson
Edited by: Niven Howie
Special Effects Coordinator
Let's Go to Prison (2006)
Directed by: Bob Odenkirk
Cinematography by: Ramsey Nickell
Key Pyrotechnician
Southland Tales (2006)
Directed by: Richard Kelly
Cinematography by: Steven Poster
Edited by: Sam Bauer
Special Effects Coordinator: Los Angeles
The Marine (2006)
Directed by: John Bonito
Cinematography by: David Eggby
Edited by: Dallas Puett
Special Effects Coordinator
The Oh in Ohio (2006)
Directed by: Billy Kent
Cinematography by: Ramsey Nickell
Special Effects Coordinator
The Hard Easy (2006)
Directed by: Ari Ryan
Cinematography by: Robert Morris
Cameras: Panavision Cameras
Special Effects Coordinator
The Assassination of Richard Nixon (2004)
Directed by: Niels Mueller
Cinematography by: Emmanuel Lubezki
Edited by: Jay Cassidy
Special Effects Coordinator
Angels Don't Sleep Here (2002)
Directed by: Paul Cade
Cinematography by: George Mooradian
Edited by: Kristopher Lease
Special Effects Coordinator
'CSI: Miami' Wet Foot/Dry Foot (2002)
Directed by: Tucker Gates
Cinematography by: Walt Lloyd
Edited by: J. Benjamin Chulay
Special Effects Coordinator
'CSI: Miami' Losing Face (2002)
Directed by: Joe Chappelle
Cinematography by: Walt Lloyd
Edited by: Mark C. Baldwin
Special Effects Coordinator
'CSI: Miami' Golden Parachute (2002)
Directed by: Joe Chappelle
Cinematography by: Walt Lloyd
Edited by: Mark C. Baldwin
Special Effects Coordinator
'CSI: Miami' Just One Kiss (2002)
Directed by: Scott Brazil
Cinematography by: Michael D. O'Shea
Edited by: John Refoua
Special Effects Coordinator
'CSI: Miami' Ashes to Ashes (2002)
Directed by: Bryan Spicer
Cinematography by: Michael D. O'Shea
Edited by: J. Benjamin Chulay
Special Effects Coordinator
'CSI: Miami' Broken (2002)
Directed by: Deran Sarafian
Cinematography by: Walt Lloyd
Edited by: John Refoua
Special Effects Coordinator - 10 Episodes, 2002
CSI: Miami (2002)
Directed by: Sam Hill, Joe Chappelle, Scott Lautanen, Karen Gaviola, Matt Earl Beesley, Gina Lamar, Deran Sarafian, Eagle Egilsson, Duane Clark, Carey Meyer, Allison Liddi-Brown, David Grossman, Jonathan Glassner, Larry Detwiler, Marco Black, Don Tardino, Greg Yaitanes, Charles Correll, Frederick King Keller, Norberto Barba, Eric Mirich, Danny Cannon, Adam Rodriguez, Daniel Attias, Scott Brazil, Tucker Gates, Richard Pearce, Bryan Spicer, Artie Mandelberg, Peter Markle, Jeannot Szwarc, Steven DePaul, Félix Enríquez Alcalá, Gloria Muzio, Scott Shiffman, Ernest R. Dickerson, Anthony Hemingway, Christine Moore, Rod Holcomb, Tim Story, Rob Zombie, David Arquette, James Wilcox, Billy Gierhart, Sylvain White
Cinematography by: Charles Mills, Ken Glassing, Eagle Egilsson, Darren Genet, Thomas Yatsko, Dermott Downs, Walt Lloyd, Michael D. O'Shea, Michael Barrett, Garett Griffin, Curtis Wehr, Robert M. Stevens, Joe Meade, Cynthia Pusheck, Donald E. Thorin Jr.
Edited by: Mark C. Baldwin, James Wilcox, John Refoua, Joshua Charson, Tom Costantino, Brian Ray, Edward R. Abroms, Jean Crupper, J. Benjamin Chulay, John M. Vitale, Juan Carlos Garza, Scott Lerner, Lawrence Jordan, Kevin Ward, Jim Page, Dana Devorzon, Christopher Cooke, Sara Mineo, Richmond Riedel
Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Special Effects Coordinator
'CSI: Miami' Breathless (2002)
Directed by: Charles Correll
Cinematography by: Michael D. O'Shea
Edited by: Mark C. Baldwin
Special Effects Coordinator
'CSI: Miami' Slaughterhouse (2002)
Directed by: Richard Pearce
Cinematography by: Walt Lloyd
Edited by: J. Benjamin Chulay
Special Effects Coordinator
'CSI: Miami' Kill Zone (2002)
Directed by: Daniel Attias
Cinematography by: Michael D. O'Shea
Edited by: John Refoua
Special Effects Technician
Red Dragon (2002)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Special Effects Coordinator
'CSI: Miami' A Horrible Mind (2002)
Directed by: Greg Yaitanes
Cinematography by: Walt Lloyd
Edited by: Mark C. Baldwin
Second Unit Coordinator, Special Effects Coordinator: Second Unit / Special Effects Foreman
The Sum of All Fears (2002)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Special Effects Coordinator
Tortilla Soup (2001)
Directed by: Maria Ripoll
Cinematography by: Xavier Grobet
Edited by: Andy Blumenthal
Special Effects Coordinator
Cement (2000)
Directed by: Adrian Pasdar
Cinematography by: Geary McLeod
Edited by: Jack Haigis
Special Effects Coordinator
Smart House (1999)
Directed by: LeVar Burton
Cinematography by: Jonathan West
Edited by: Tom Walls
Special Effects Coordinator
Teaching Mrs. Tingle (1999)
Directed by: Kevin Williamson
Cinematography by: Jerzy Zielinski
Edited by: Debra Neil-Fisher
Mechanical Effects Coordinator
Phantoms (1998)
Directed by: Joe Chappelle
Cinematography by: Richard Clabaugh
Edited by: Randy Bricker
Special Effects, Stunts
The Last Days of Frankie the Fly (1996)
Directed by: Peter Markle
Cinematography by: Phil Parmet
Edited by: David Campling
Special Effects Supervisor
Scream (1996)
Directed by: Wes Craven
Cinematography by: Mark Irwin
Edited by: Patrick Lussier
Cameras: Moviecam Compact Camera
Lenses: Clairmont Anamorphic Lenses
Editing System: Lightworks Editing System
Special Effects Coordinator
Jury Duty (1995)
Directed by: John Fortenberry
Cinematography by: Avraham Karpick
Edited by: Stephen Semel
Special Effects Coordinator
Camp Nowhere (1994)
Directed by: Jonathan Prince
Cinematography by: Sandi Sissel
Edited by: Jon Poll
Special Effects Coordinator, Stunt Performer
Dumb and Dumber (1994)
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Coordinator, Stunts
Man's Best Friend (1993)
Directed by: John Lafia
Cinematography by: Mark Irwin
Special Effects Supervisor
Menace II Society (1993)
Cinematography by: Lisa Rinzler
Edited by: Christopher Koefoed
Special Effects Coordinator
Red Rock West (1993)
Directed by: John Dahl
Cinematography by: Marc Reshovsky
Edited by: Scott Chestnut
Special Effects Supervisor
Memphis (1992)
Directed by: Yves Simoneau
Cinematography by: Elliot Davis
Edited by: Debra Neil-Fisher
Special Effects Coordinator
The Lawnmower Man (1992)
Directed by: Brett Leonard
Cinematography by: Russell Carpenter
Edited by: Alan Baumgarten
Special Effects Coordinator
Deep Cover (1992)
Directed by: Bill Duke
Cinematography by: Bojan Bazelli
Edited by: John Carter
Special Effects
Critters 4 (1992)
Directed by: Rupert Harvey
Cinematography by: Thomas L. Callaway
Edited by: Terry Stokes
Special Effects Coordinator
Cold Heaven (1991)
Directed by: Nicolas Roeg
Cinematography by: Francis Kenny
Edited by: Tony Lawson
Special Effects Coordinator
Love at Large (1990)
Directed by: Alan Rudolph
Cinematography by: Elliot Davis
Edited by: Lisa Zeno Churgin
Forest Fire Special Effects
Always (1989)
Directed by: Steven Spielberg
Cinematography by: Mikael Salomon
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: Panavision Lenses
