Nathan Furst

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Need for Speed | ShotOnWhat?

Composer

Need for Speed (2014)

Directed by: Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Paul Rubell, Scott Waugh

Cameras: ARRI ALEXA Camera, Canon EOS-1D C Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE

Act of Valor | ShotOnWhat?

Composer

Act of Valor (2012)

Directed by: Mike McCoy, Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Michael Tronick, Scott Waugh

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Already Dead | ShotOnWhat?

Music By

Already Dead (2007)

Directed by: Joe Otting

Cinematography by: Eric Trageser

Edited by: Adam Sobocienski

Dust to Glory | ShotOnWhat?

Composer, Conductor / Orchestrator

Dust to Glory (2005)

Directed by: Dana Brown

Cinematography by: Kevin Ward

Edited by: Dana Brown, Scott Waugh

Cameras: Panasonic AG-DVX100 Camera

Editing System: Adobe Premiere Editing System

Punch-Drunk Love | ShotOnWhat?

Score Technical Consultant

Punch-Drunk Love (2002)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Leslie Jones

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Drowning Mona | ShotOnWhat?

Score Technical Advisor

Drowning Mona (2000)

Directed by: Nick Gomez

Cinematography by: Bruce Douglas Johnson

Edited by: Richard Pearson

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Magnolia | ShotOnWhat?

Score Technical Assistant

Magnolia (1999)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Cameras, Pathé Cameras

Lenses: Panavision Lenses

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