Pierre Procoudine-Gorsky

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Visual Effects Editor

Yves Saint Laurent (2014)

Motion Picture

Directed by: Jalil Lespert

Cinematography by: Thomas Hardmeier

Edited by: François Gédigier

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses: Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Visual Effects Editor

'Mafiosa' Episode #5.1 (2014)

Television Episode

Directed by: Pierre Leccia, Hugues Pagan

Cinematography by: Patrick Blossier, Aleksander Kaufmann

Edited by: Eric Armbruster, Isabelle Laclau, Camille Toubkis

Visual Effects Editor

'Mafiosa' Episode #5.2 (2014)

Television Episode

Directed by: Pierre Leccia, Hugues Pagan

Cinematography by: Patrick Blossier, Aleksander Kaufmann

Edited by: Eric Armbruster, Isabelle Laclau, Camille Toubkis

Visual Effects Editor

'Mafiosa' Episode #5.4 (2014)

Television Episode

Directed by: Pierre Leccia, Hugues Pagan

Cinematography by: Patrick Blossier, Aleksander Kaufmann

Edited by: Eric Armbruster, Isabelle Laclau, Camille Toubkis

Visual Effects Editor

'Mafiosa' Episode #5.3 (2014)

Television Episode

Directed by: Pierre Leccia, Hugues Pagan

Cinematography by: Patrick Blossier, Aleksander Kaufmann

Edited by: Eric Armbruster, Isabelle Laclau, Camille Toubkis

Visual Effects Editor

'Mafiosa' Episode #5.5 (2014)

Television Episode

Directed by: Pierre Leccia, Hugues Pagan

Cinematography by: Patrick Blossier, Aleksander Kaufmann

Edited by: Eric Armbruster, Isabelle Laclau, Camille Toubkis

Visual Effects Editor

'Mafiosa' Episode #5.6 (2014)

Television Episode

Directed by: Pierre Leccia, Hugues Pagan

Cinematography by: Patrick Blossier, Aleksander Kaufmann

Edited by: Eric Armbruster, Isabelle Laclau, Camille Toubkis

Visual Effects Editor

'Mafiosa' Episode #5.7 (2014)

Television Episode

Directed by: Pierre Leccia, Hugues Pagan

Cinematography by: Patrick Blossier, Aleksander Kaufmann

Edited by: Eric Armbruster, Isabelle Laclau, Camille Toubkis

Visual Effects Editor

'Mafiosa' Episode #5.8 (2014)

Television Episode

Directed by: Pierre Leccia, Hugues Pagan

Cinematography by: Patrick Blossier, Aleksander Kaufmann

Edited by: Eric Armbruster, Isabelle Laclau, Camille Toubkis

Visual Effects Editor

24 Days (2014)

Motion Picture

Directed by: Alexandre Arcady

Cinematography by: Gilles Henry

Edited by: Manuel De Sousa

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Les trois frères, le retour | ShotOnWhat?

Visual Effects Editor

Les trois frères, le retour (2014)

Motion Picture

Directed by: Didier Bourdon, Bernard Campan, Pascal Légitimus

Cinematography by: Pascal Caubère

Edited by: Jeanne Kef

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Visual Effects Editor

Bon rétablissement ! (2014)

Motion Picture

Directed by: Jean Becker

Cinematography by: Jean-Claude Larrieu

Edited by: Franck Nakache, Jacques Witta

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Visual Effects Editor

Maintenant ou jamais (2014)

Motion Picture

Directed by: Serge Frydman

Cinematography by: Pierre-Hugues Galien

Edited by: Céline Kélépikis

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Visual Effects Editor

Grace of Monaco (2014)

Motion Picture

Directed by: Olivier Dahan

Cinematography by: Eric Gautier

Edited by: Olivier Gajan

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses

Digital Compositor

Blood Ties (2013)

Motion Picture

Directed by: Guillaume Canet

Cinematography by: Christophe Offenstein

Edited by: Hervé de Luze

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Visual Effects Editor

En solitaire (2013)

Motion Picture

Directed by: Christophe Offenstein

Cinematography by: Guillaume Schiffman

Edited by: Ruy Diaz, Véronique Lange

Cameras: Red Epic Camera, Red Scarlet Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Visual Effects Editor - 8 Episodes, 2014

Mafiosa (2006)

Television Series

Directed by: Hugues Pagan, Eric Rochant, Pierre Leccia, Louis Choquette

Cinematography by: Aleksander Kaufmann, Pierre Novion, Patrick Blossier

Edited by: Pascale Fenouillet, Isabelle Laclau, Sylvie Pontoizeau, Peggy Koretzky, Eric Armbruster, Camille Toubkis, Jean-Paul Husson

Cameras: ARRI ALEXA Camera, ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera

Lenses: Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke CXX 15-40mm T2.0 Lens, Cooke S4 Lenses, Zeiss Super Speed Lenses

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Pierre Procoudine-Gorsky

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Visual Effects Editor

Yves Saint Laurent (2014)

Visual Effects Editor

'Mafiosa' Episode #5.1 (2014)

Visual Effects Editor

'Mafiosa' Episode #5.2 (2014)

Visual Effects Editor

'Mafiosa' Episode #5.4 (2014)

Visual Effects Editor

'Mafiosa' Episode #5.3 (2014)

Visual Effects Editor

'Mafiosa' Episode #5.5 (2014)

Visual Effects Editor

'Mafiosa' Episode #5.6 (2014)

Visual Effects Editor

'Mafiosa' Episode #5.7 (2014)

Visual Effects Editor

'Mafiosa' Episode #5.8 (2014)

Visual Effects Editor

24 Days (2014)

Visual Effects Editor

Les trois frères, le retour (2014)

Visual Effects Editor

Bon rétablissement ! (2014)

Visual Effects Editor

Maintenant ou jamais (2014)

Visual Effects Editor

Grace of Monaco (2014)

Digital Compositor

Blood Ties (2013)

Visual Effects Editor

En solitaire (2013)

Visual Effects Editor - 8 Episodes, 2014

Mafiosa (2006)

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