Andrew Turner

12 Titles

Is this you? Add a Profile

"Westworld" Années Folles | ShotOnWhat?

Visual Effects Producer

'Westworld' Années Folles (2022)

Television Episode

Directed by: Hanelle M. Culpepper

Cinematography by: John Conroy

Edited by: Amelia Allwarden

"Westworld" Generation Loss | ShotOnWhat?

Visual Effects Producer

'Westworld' Generation Loss (2022)

Television Episode

Directed by: Paul Cameron

Cinematography by: Peter Flinckenberg

Edited by: Ali Comperchio, Andrew Seklir

"Westworld" Metanoia | ShotOnWhat?

Visual Effects Producer

'Westworld' Metanoia (2022)

Television Episode

Directed by: Meera Menon

Cinematography by: John Conroy

Edited by: Sarah C. Reeves

"Westworld" Que Será, Será | ShotOnWhat?

Visual Effects Producer

'Westworld' Que Será, Será (2022)

Television Episode

Directed by: Richard J. Lewis

Cinematography by: Peter Flinckenberg

Edited by: Ali Comperchio, Anna Hauger

Westworld | ShotOnWhat?

Visual Effects Producer - 4 Episodes, 2022

Westworld (2016)

Television Series

Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery

Edited by: Andrew Seklir, Anna Hauger, Ali Comperchio, Tanya M. Swerling, Mark Yoshikawa, David Eisenberg, Stephen Semel, Ron Rosen, Amelia Allwarden, Sarah C. Reeves, Marc Jozefowicz, Mako Kamitsuna, Yoni Reiss

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Sony CineAlta VENICE Camera

The Amazing Spider-Man 2 | ShotOnWhat?

Visual Effects Coordinator

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Oz the Great and Powerful | ShotOnWhat?

Visual Effects Coordinator

Oz the Great and Powerful (2013)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Amazing Spider-Man | ShotOnWhat?

Visual Effects Coordinator

The Amazing Spider-Man (2012)

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Green Lantern | ShotOnWhat?

Visual Effects Coordinator

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Asset & Database Coordinator

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

G-Force | ShotOnWhat?

Production Assistant

G-Force (2009)

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Blood Diamond | ShotOnWhat?

Visual Effects Assistant: Flash Film Works

Blood Diamond (2006)

Directed by: Edward Zwick

Cinematography by: Eduardo Serra

Edited by: Steven Rosenblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses

©2012 - 2025 ShotOnWhat?

20254.20