Sound Recording Mixer
Halloween 4: The Return of Michael Myers (1988)
Directed by: Dwight H. Little
Cinematography by: Peter Lyons Collister
Edited by: Curtiss Clayton
Re-recording Mixer
The Boost (1988)
Directed by: Harold Becker
Cinematography by: Howard Atherton
Edited by: Maury Winetrobe
Re-recording Mixer
Crawlspace (1986)
Directed by: David Schmoeller
Cinematography by: Sergio Salvati
Edited by: Bert Glatstein
Re-recording Mixer
Platoon (1986)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Edited by: Claire Simpson
Cameras: ARRIFLEX 35 BL3 Camera
Lenses: JDC (Joe Dunton Camera) Lenses
Editing System: Moviola Editing System
Re-recording Mixer
Missing in Action (1984)
Directed by: Joseph Zito
Cinematography by: João Fernandes
Re-recording Mixer
Deadly Blessing (1981)
Directed by: Wes Craven
Cinematography by: Robert C. Jessup
Edited by: Richard Bracken
Cameras: Panavision Cameras
Re-recording Mixer
The Formula (1980)
Directed by: John G. Avildsen
Cinematography by: James Crabe
Edited by: John Carter
Cameras: Panavision Cameras
Re-recording Mixer
Roadie (1980)
Directed by: Alan Rudolph
Cinematography by: David Myers
Edited by: Tom Walls
Re-recording Mixer
Seems Like Old Times (1980)
Directed by: Jay Sandrich
Cinematography by: David M. Walsh
Edited by: Michael A. Stevenson
Re-recording Mixer
The Prize Fighter (1979)
Directed by: Michael Preece
Cinematography by: Jacques Haitkin
Edited by: Fabien D. Tordjmann
Re-recording Mixer
The Onion Field (1979)
Directed by: Harold Becker
Cinematography by: Charles Rosher Jr.
Re-recording Mixer
Winter Kills (1979)
Directed by: William Richert
Cinematography by: Vilmos Zsigmond
Edited by: David Bretherton
Sound Mixer: Dolby Stereo
Slow Dancing in the Big City (1978)
Directed by: John G. Avildsen
Cinematography by: Ralf D. Bode
Edited by: John G. Avildsen
Re-recording Mixer
The Manitou (1978)
Directed by: William Girdler
Cinematography by: Michel Hugo
Edited by: Bub Asman
Re-recording
Chinatown (1974)
Directed by: Roman Polanski
Edited by: Sam O'Steen
Cameras: Panavision Cameras
Sound Re-recordist
The Parallax View (1974)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Edited by: John W. Wheeler
Re Recording Mixer
Mean Streets (1973)
Directed by: Martin Scorsese
Cinematography by: Kent L. Wakeford
Edited by: Sidney Levin
Cameras: ARRIFLEX 35 BL Camera
Editing System: Moviola Editing System
Re-recordist
The Godfather (1972)
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Cameras: Mitchell BNCR Camera
Editing System: Moviola Editing System
Sound Recordist
The Sons of Katie Elder (1965)
Directed by: Henry Hathaway
Cinematography by: Lucien Ballard
Cameras: Panavision Cameras
Sound Recordist
The Family Jewels (1965)
Directed by: Jerry Lewis
Cinematography by: W. Wallace Kelley
Edited by: John Woodcock
Cameras: Mitchell BNC Camera
Sound Recordist
The Disorderly Orderly (1964)
Directed by: Frank Tashlin
Cinematography by: W. Wallace Kelley
Sound Recordist
The Patsy (1964)
Directed by: Jerry Lewis
Cinematography by: W. Wallace Kelley
Edited by: John Woodcock
Sound Recordist
Who's Minding the Store? (1963)
Directed by: Frank Tashlin
Cinematography by: W. Wallace Kelley
Edited by: John Woodcock
Sound Recordist
One-Eyed Jacks (1961)
Directed by: Marlon Brando
Cinematography by: Charles Lang
Edited by: Archie Marshek
Cameras: VistaVision Cameras
Sound Recordist
Cinderfella (1960)
Directed by: Frank Tashlin
Cinematography by: Haskell B. Boggs
Edited by: Arthur P. Schmidt
Sound
The Geisha Boy (1958)
Directed by: Frank Tashlin
Cinematography by: Haskell B. Boggs
Edited by: Alma Macrorie
Re-recording Mixer
The Ten Commandments (1956)
Directed by: Cecil B. DeMille
Cinematography by: Loyal Griggs
Edited by: Anne Bauchens