Re-recording Mixer
Action Jackson (1988)
Directed by: Craig R. Baxley
Cinematography by: Matthew F. Leonetti
Edited by: Mark Helfrich
Cameras: Ultracam 35 Camera
Re-recording Mixer
Off Limits (1988)
Directed by: Christopher Crowe
Cinematography by: David Gribble
Edited by: Douglas Ibold
Re-recording Mixer
Alien Nation (1988)
Directed by: Graham Baker
Cinematography by: Adam Greenberg
Edited by: Kent Beyda
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Re-recording Mixer
Die Hard (1988)
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Re-recording Mixer
Black Widow (1987)
Directed by: Bob Rafelson
Cinematography by: Conrad L. Hall
Edited by: John Bloom
Re-recording Mixer
Predator (1987)
Directed by: John McTiernan
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Cameras
Re-recording Mixer
Jumpin' Jack Flash (1986)
Directed by: Penny Marshall
Cinematography by: Matthew F. Leonetti
Edited by: Mark Goldblatt
Re-recording Mixer
Big Trouble in Little China (1986)
Directed by: John Carpenter
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Re-recording Mixer
Down and Out in Beverly Hills (1986)
Directed by: Paul Mazursky
Cinematography by: Donald McAlpine
Edited by: Richard Halsey
Sound Re-recordist
Highlander (1986)
Directed by: Russell Mulcahy
Cinematography by: Gerry Fisher
Edited by: Peter Honess
Re-recording Mixer
Commando (1985)
Directed by: Mark L. Lester
Cinematography by: Matthew F. Leonetti
Re-recording Mixer
The Man with One Red Shoe (1985)
Directed by: Stan Dragoti
Cinematography by: Richard H. Kline
Cameras: Panavision Cameras
Re-recording Mixer
A Soldier's Story (1984)
Directed by: Norman Jewison
Cinematography by: Russell Boyd
Re-recording Mixer
Meatballs Part II (1984)
Directed by: Ken Wiederhorn
Cinematography by: Donald M. Morgan
Edited by: George Berndt
Re-recording Mixer
Flashpoint (1984)
Directed by: William Tannen
Cinematography by: Peter Moss
Edited by: David Garfield
Re-recording Mixer
Easy Money (1983)
Directed by: James Signorelli
Cinematography by: Fred Schuler
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Re-recording Mixer
The Day After (1983)
Directed by: Nicholas Meyer
Cinematography by: Gayne Rescher
Cameras: Panavision Cameras
Re-recording Mixer: American Crew
Yellowbeard (1983)
Directed by: Mel Damski
Cinematography by: Gerry Fisher
Edited by: William Reynolds
Re-recording Mixer
Friday the 13th Part III (1982)
Directed by: Steve Miner
Cinematography by: Gerald Feil
Edited by: George Hively
Sound
In the Heat of the Night (1967)
Directed by: Norman Jewison
Cinematography by: Haskell Wexler
Edited by: Hal Ashby
