Michael Suarez

18 Titles

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The Survivalist | ShotOnWhat?

Sound Effects Editor

The Survivalist (2015)

Directed by: Stephen Fingleton

Cinematography by: Damien Elliott

Edited by: Mark Towns

Cameras: ARRI ALEXA Plus Camera, Blackmagic Design Cameras

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Zeiss Super Speed Lenses

Kick-Ass | ShotOnWhat?

Adr Recordist

Kick-Ass (2010)

Directed by: Matthew Vaughn

Cinematography by: Ben Davis

Edited by: Eddie Hamilton, Jon Harris, Pietro Scalia

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Restrepo | ShotOnWhat?

Sound

Restrepo (2010)

Directed by: Tim Hetherington, Sebastian Junger

Cinematography by: Tim Hetherington, Sebastian Junger

Edited by: Michael Levine

The River Why | ShotOnWhat?

Adr Recordist

The River Why (2010)

Directed by: Matthew Leutwyler

Cinematography by: Karsten Gopinath

Edited by: Robert Dalva, Matthew Leutwyler

Vanishing on 7th Street | ShotOnWhat?

Adr Technician

Vanishing on 7th Street (2010)

Directed by: Brad Anderson

Cinematography by: Uta Briesewitz

Edited by: Jeffrey Wolf

Fantastic Mr. Fox | ShotOnWhat?

Dialogue Re-recording Engineer / Dialogue Re-recordist

Fantastic Mr. Fox (2009)

Directed by: Wes Anderson

Cinematography by: Tristan Oliver

Edited by: Ralph Foster, Stephen Perkins, Andrew Weisblum

Cameras: Nikon D3 Camera

Lenses: Cooke Varotal Lenses

Saint John of Las Vegas | ShotOnWhat?

Adr Recordist

Saint John of Las Vegas (2009)

Directed by: Hue Rhodes

Cinematography by: Giles Nuttgens

Edited by: Annette Davey

Perrier's Bounty | ShotOnWhat?

Adr Recordist

Perrier's Bounty (2009)

Directed by: Ian Fitzgibbon

Cinematography by: Seamus Deasy

Edited by: Tony Cranstoun

Notorious | ShotOnWhat?

Sound

Notorious (2009)

Directed by: George Tillman Jr.

Cinematography by: Michael Grady

Edited by: Steven Rosenblum, Dirk Westervelt

Homecoming | ShotOnWhat?

Re-recording Mixer: M&E

Homecoming (2009)

Directed by: Morgan J. Freeman

Cinematography by: John Burdick, Stephen Kazmierski

Edited by: Keith Reamer

Trucker | ShotOnWhat?

Sound

Trucker (2008)

Directed by: James Mottern

Cinematography by: Lawrence Sher

Edited by: Deirdre Slevin

New York, I Love You | ShotOnWhat?

Audio Technician

New York, I Love You (2008)

Directed by: Fatih Akin, Yvan Attal, Randall Balsmeyer, Allen Hughes, Shunji Iwai, Wen Jiang, Shekhar Kapur, Joshua Marston, Mira Nair, Natalie Portman, Brett Ratner

Cinematography by: Jean-Louis Bompoint, Benoît Debie, Pawel Edelman, Ping Bin Lee, Michael McDonough, Andrij Parekh, Declan Quinn, Mauricio Rubinstein

Edited by: Jennifer Augé, Tricia Cooke, Jacob Craycroft, Affonso Gonçalves, Mark Helfrich, Shunji Iwai, Allyson C. Johnson, Melody London, Cindy Mollo, Craig McKay

Diminished Capacity | ShotOnWhat?

Adr Recordist

Diminished Capacity (2008)

Directed by: Terry Kinney

Cinematography by: Vanja Cernjul

Edited by: Tim Streeto

Grindhouse | ShotOnWhat?

Voiceover Recordist

Grindhouse (2007)

Directed by: Robert Rodriguez, Eli Roth, Quentin Tarantino, Edgar Wright, Rob Zombie

Cinematography by: Milan Chadima, Jess Hall, Phil Parmet, Robert Rodriguez, Quentin Tarantino

Edited by: Glenn Garland, Ethan Maniquis, Sally Menke, Robert Rodriguez

Starting Out in the Evening | ShotOnWhat?

Adr Recordist: NYC

Starting Out in the Evening (2007)

Directed by: Andrew Wagner

Cinematography by: Harlan Bosmajian

Edited by: Gena Bleier

The Ten | ShotOnWhat?

Post-production Audio

The Ten (2007)

Directed by: David Wain

Cinematography by: Yaron Orbach

Edited by: Eric Kissack

Manda Bala (Send a Bullet) | ShotOnWhat?

Sound Technician

Manda Bala (Send a Bullet) (2007)

Directed by: Jason Kohn

Cinematography by: Heloísa Passos

Edited by: Doug Abel, Jenny Golden, Andy Grieve

Cameras: ARRIFLEX 16SR3 Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Zeiss Ultra Prime Lenses

The Visitor | ShotOnWhat?

Sound

The Visitor (2007)

Directed by: Tom McCarthy

Cinematography by: Oliver Bokelberg

Edited by: Tom McArdle

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux HR Zoom Lenses, Zeiss DigiPrime Lenses

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