Gino Lucci

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Run All Night | ShotOnWhat?

Stunts

Run All Night (2015)

Directed by: Jaume Collet-Serra

Cinematography by: Martin Ruhe

Edited by: Dirk Westervelt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

Winter's Tale | ShotOnWhat?

Stunts

Winter's Tale (2014)

Directed by: Akiva Goldsman

Cinematography by: Caleb Deschanel

Edited by: Tim Squyres, Wayne Wahrman

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Arthur | ShotOnWhat?

Stunts

Arthur (2011)

Directed by: Jason Winer

Cinematography by: Uta Briesewitz

Edited by: Brent White

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Cop Out | ShotOnWhat?

Stunts

Cop Out (2010)

Directed by: Kevin Smith

Cinematography by: David Klein

Edited by: Kevin Smith

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Evening | ShotOnWhat?

Representative: Picture Car Company, New York

Evening (2007)

Directed by: Lajos Koltai

Cinematography by: Gyula Pados

Edited by: Allyson C. Johnson

The Terminal | ShotOnWhat?

Picture Vehicle Coordinator: New York

The Terminal (2004)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

The Forgotten | ShotOnWhat?

Stunts

The Forgotten (2004)

Directed by: Joseph Ruben

Cinematography by: Anastas N. Michos

Edited by: Richard Francis-Bruce

City by the Sea | ShotOnWhat?

Picture Car Coordinator

City by the Sea (2002)

Directed by: Michael Caton-Jones

Cinematography by: Karl Walter Lindenlaub

Edited by: Jim Clark

Cameras: Panavision Cameras

The Thomas Crown Affair | ShotOnWhat?

Freight Truck Driver

The Thomas Crown Affair (1999)

Directed by: John McTiernan

Cinematography by: Tom Priestley Jr.

Edited by: John Wright

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

U.S. Marshals | ShotOnWhat?

Stunts

U.S. Marshals (1998)

Directed by: Stuart Baird

Cinematography by: Andrzej Bartkowiak

Edited by: Terry Rawlings

Meet Joe Black | ShotOnWhat?

Stunt Player

Meet Joe Black (1998)

Directed by: Martin Brest

Cinematography by: Emmanuel Lubezki

Edited by: Joe Hutshing, Michael Tronick

Die Hard: With a Vengeance | ShotOnWhat?

Picture Car Coordinator

Die Hard: With a Vengeance (1995)

Directed by: John McTiernan

Cinematography by: Peter Menzies Jr.

Edited by: John Wright

The Cowboy Way | ShotOnWhat?

Stunts

The Cowboy Way (1994)

Directed by: Gregg Champion

Cinematography by: Dean Semler

Edited by: Michael Tronick

Léon: The Professional | ShotOnWhat?

Stunts

Léon: The Professional (1994)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Sylvie Landra

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses: Angenieux HR Zoom Lenses, Technovision Lenses

Scent of a Woman | ShotOnWhat?

Picture Cars

Scent of a Woman (1992)

Directed by: Martin Brest

Cinematography by: Donald E. Thorin

Edited by: Harvey Rosenstock, William Steinkamp, Michael Tronick

Soapdish | ShotOnWhat?

Bus Driver

Soapdish (1991)

Directed by: Michael Hoffman

Cinematography by: Ueli Steiger

Edited by: Garth Craven

A Shock to the System | ShotOnWhat?

Stunt Driver, Stunts

A Shock to the System (1990)

Directed by: Jan Egleson

Cinematography by: Paul Goldsmith

Edited by: William M. Anderson, Peter C. Frank

Cameras: Panavision Cameras

Lenses: Panavision Lenses

F/X | ShotOnWhat?

Stunt Player

F/X (1986)

Directed by: Robert Mandel

Cinematography by: Miroslav Ondrícek

Edited by: Terry Rawlings

Cameras: Panavision Cameras

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