Sound Mix Technician
The Sisters Brothers (2018)
Directed by: Jacques Audiard
Cinematography by: Benoît Debie
Edited by: Juliette Welfling
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Sound Mix Technician
Le dernier loup (2015)
Directed by: Jean-Jacques Annaud
Cinematography by: Jean-Marie Dreujou
Edited by: Reynald Bertrand
Foley Technician
The Two Faces of January (2014)
Directed by: Hossein Amini
Cinematography by: Marcel Zyskind
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Hawk C-Series Lenses
Foley Technician
3 Days to Kill (2014)
Directed by: McG
Cinematography by: Thierry Arbogast
Edited by: Audrey Simonaud
Sound Mix Technician
On a marché sur Bangkok (2014)
Directed by: Olivier Baroux
Cinematography by: Régis Blondeau
Edited by: Christophe Pinel
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera
Sound Mix Technician
Maestro (2014)
Directed by: Léa Fazer
Cinematography by: Lucas Leconte
Edited by: Jean-François Elie
Cameras: ARRI ALEXA Camera
Sound Mix Technician
Blue Is the Warmest Color (2013)
Directed by: Abdellatif Kechiche
Cinematography by: Sofian El Fani
Cameras: Canon EOS-C300 Camera
Sound Mix Technician
Les gamins (2013)
Directed by: Anthony Marciano
Cinematography by: Jean-Paul Agostini
Cameras: ARRI ALEXA Camera
Sound Mix Technician
Venus in Fur (2013)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Cameras: Sony CineAlta F65 Camera
Sound Recordist: Red Mountain
On the Road (2012)
Directed by: Walter Salles
Cinematography by: Eric Gautier
Edited by: François Gédigier
Cameras: Aaton Penelope Camera
Sound Recordist
Astérix and Obélix: God Save Britannia (2012)
Directed by: Laurent Tirard
Edited by: Valérie Deseine
Cameras: ARRI ALEXA Camera
Sound Recordist
À coeur ouvert (2012)
Directed by: Marion Laine
Cinematography by: Antoine Héberlé
Edited by: Mathilde Van de Moortel
Cameras: ARRI ALEXA Camera
