Adr Recordist
Man of the Century (1999)
Directed by: Adam Abraham
Cinematography by: Matthew Jensen
Edited by: Frank Reynolds
Re-recording Engineer: Sound One Corp.
The Funeral (1996)
Directed by: Abel Ferrara
Cinematography by: Ken Kelsch
Re-recording Mixer
The Addiction (1995)
Directed by: Abel Ferrara
Cinematography by: Ken Kelsch
Edited by: Mayin Lo
Sound Re-recordist
Big Girls Don't Cry... They Get Even (1992)
Directed by: Joan Micklin Silver
Cinematography by: Theo van de Sande
Edited by: Janice Hampton
Re-recording Mixer
Passion Fish (1992)
Directed by: John Sayles
Cinematography by: Roger Deakins
Edited by: John Sayles
Foley Mixer
Honeymoon in Vegas (1992)
Directed by: Andrew Bergman
Cinematography by: William A. Fraker
Edited by: Barry Malkin
Re-recording Mixer
McBain (1991)
Directed by: James Glickenhaus
Cinematography by: Robert M. Baldwin
Edited by: Jeffrey Wolf
Adr Recordist
Goodfellas (1990)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Zeiss Lenses
Editing System: Lightworks Editing System
Adr Mixer
Look Who's Talking Too (1990)
Directed by: Amy Heckerling
Cinematography by: Thomas Del Ruth
Edited by: Debra Chiate
Re-recording Mixer
True Believer (1989)
Directed by: Joseph Ruben
Cinematography by: John Lindley
Edited by: George Bowers
Adr Recordist
Funny Farm (1988)
Directed by: George Roy Hill
Cinematography by: Miroslav Ondrícek
Edited by: Alan Heim
Adr Recordist
The Last Temptation of Christ (1988)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX Camera
Adr Recordist
Big (1988)
Directed by: Penny Marshall
Cinematography by: Barry Sonnenfeld
Edited by: Barry Malkin
Adr Mixer
Dirty Dancing (1987)
Directed by: Emile Ardolino
Cinematography by: Jeffrey Jur
Edited by: Peter C. Frank
Adr Recordist
The Untouchables (1987)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Panaflex Gold Camera
Re-recording Mixer
Raising Arizona (1987)
Cinematography by: Barry Sonnenfeld
Edited by: Michael R. Miller
Re-recording Mixer
Maximum Overdrive (1986)
Directed by: Stephen King
Cinematography by: Armando Nannuzzi
Edited by: Evan A. Lottman
Sound Re-recordist
Finnegan Begin Again (1985)
Directed by: Joan Micklin Silver
Cinematography by: Robby Müller
Edited by: Jay Freund
Cameras: ARRIFLEX 35 BL4s Camera
Adr Recordist
The Cotton Club (1984)
Directed by: Francis Ford Coppola
Cinematography by: Stephen Goldblatt
Cameras: Panavision Cameras
Adr Recordist
The Muppets Take Manhattan (1984)
Directed by: Frank Oz
Cinematography by: Robert Paynter
Edited by: Evan A. Lottman
Adr Recordist
The Little Drummer Girl (1984)
Directed by: George Roy Hill
Cinematography by: Wolfgang Treu
Edited by: William Reynolds
Adr Recordist
The Verdict (1982)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Peter C. Frank
Cameras: Panavision Cameras
Adr Recordist
Deathtrap (1982)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Jack Fitzstephens
Adr Recordist
The World According to Garp (1982)
Directed by: George Roy Hill
Cinematography by: Miroslav Ondrícek
Edited by: Stephen A. Rotter
Sound Mixer
The Evil Dead (1981)
Directed by: Sam Raimi
Cinematography by: Tim Philo
Edited by: Edna Ruth Paul
Cameras: ARRIFLEX 16BL Camera, ARRIFLEX 16S Camera
Adr Recordist
Taxi Driver (1976)
Directed by: Martin Scorsese
Cinematography by: Michael Chapman
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Adr Recordist
The Seven-Per-Cent Solution (1976)
Directed by: Herbert Ross
Cinematography by: Oswald Morris
Edited by: Chris Barnes
Adr Recordist
The Missouri Breaks (1976)
Directed by: Arthur Penn
Cinematography by: Michael C. Butler
Adr Recordist
Dog Day Afternoon (1975)
Directed by: Sidney Lumet
Cinematography by: Victor J. Kemper
Edited by: Dede Allen
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Recordist
The Godfather: Part II (1974)
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Cameras: Mitchell BNCR Camera
