Re-recording Mixer
Gloria (1999)
Directed by: Sidney Lumet
Cinematography by: David Watkin
Edited by: Tom Swartwout
Re-recording Mixer
Dolores Claiborne (1995)
Directed by: Taylor Hackford
Cinematography by: Gabriel Beristain
Edited by: Mark Warner
Re-recording Mixer
The Air Up There (1994)
Directed by: Paul Michael Glaser
Cinematography by: Dick Pope
Cameras: Panavision Cameras
Re-recording Mixer
Wolf (1994)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Re-recording Mixer
The Pelican Brief (1993)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Editing System: Lightworks Editing System
Rerecording Mixer
Army of One (1993)
Directed by: Vic Armstrong
Cinematography by: Daniel L. Turrett
Edited by: Paul Morton
Cameras: Todd-AO CineSpace 70 Camera
Re-recording Mixer
Blood In, Blood Out (1993)
Directed by: Taylor Hackford
Cinematography by: Gabriel Beristain
Cameras: ARRIFLEX Camera
Re-recording Mixer
Consenting Adults (1992)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Edited by: Sam O'Steen
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer / Sound Re-recordist
The Hand That Rocks the Cradle (1992)
Directed by: Curtis Hanson
Cinematography by: Robert Elswit
Edited by: John F. Link
Cameras: Panavision Cameras
Re-recording Mixer
Afterburn (1992)
Directed by: Robert Markowitz
Cinematography by: Isidore Mankofsky
Edited by: Jerrold L. Ludwig
Re-recording Mixer
Run (1991)
Directed by: Geoff Burrowes
Cinematography by: Bruce Surtees
Edited by: Jack Hofstra
Re-recording Mixer
Married to It (1991)
Directed by: Arthur Hiller
Cinematography by: Victor J. Kemper
Edited by: Robert C. Jones
Re-recording Mixer
Presumed Innocent (1990)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Edited by: Evan A. Lottman
Re-recording Mixer
See No Evil, Hear No Evil (1989)
Directed by: Arthur Hiller
Cinematography by: Victor J. Kemper
Edited by: Robert C. Jones
Re-recording Mixer
Kansas (1988)
Directed by: David Stevens
Cinematography by: David Eggby
Edited by: Robert Barrere
Re-recording Mixer
Fletch (1985)
Directed by: Michael Ritchie
Cinematography by: Fred Schuler
Edited by: Richard A. Harris
Re-recording Mixer
Baby: Secret of the Lost Legend (1985)
Directed by: Bill Norton
Cinematography by: John Alcott
Cameras: ARRI Cameras
Re-recording Mixer
Choose Me (1984)
Directed by: Alan Rudolph
Cinematography by: Jan Kiesser
Edited by: Mia Goldman
Supervising Re-recording Mixer
The River (1984)
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Sidney Levin
Sound Re-recording Supervisor
Something Wicked This Way Comes (1983)
Directed by: Jack Clayton
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Re-recording Mixer
El Norte (1983)
Directed by: Gregory Nava
Cinematography by: James Glennon
Edited by: Betsy Blankett Milicevic
Re-recording Mixer
Delusion (1981)
Directed by: Alan Beattie
Cinematography by: Stephen L. Posey
Edited by: Robert Leighton
Re-recording Mixer
Body Heat (1981)
Directed by: Lawrence Kasdan
Cinematography by: Richard H. Kline
Edited by: Carol Littleton
Rerecording Mixer
On Golden Pond (1981)
Directed by: Mark Rydell
Cinematography by: Billy Williams
Edited by: Robert L. Wolfe
Sound Rerecordist
Resurrection (1980)
Directed by: Daniel Petrie
Cinematography by: Mario Tosi
Edited by: Rita Roland
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Re-recording Mixer
Heaven's Gate (1980)
Directed by: Michael Cimino
Cinematography by: Vilmos Zsigmond
Sound Re-recordist
Coal Miner's Daughter (1980)
Directed by: Michael Apted
Cinematography by: Ralf D. Bode
Edited by: Arthur Schmidt
Rerecording
Quintet (1979)
Directed by: Robert Altman
Cinematography by: Jean Boffety
Edited by: Dennis M. Hill
Re-recording Mixer
A Perfect Couple (1979)
Directed by: Robert Altman
Cinematography by: Edmond L. Koons
Edited by: Tony Lombardo
Cameras: Panavision Cameras
Re-recording Mixer
Rich Kids (1979)
Directed by: Robert M. Young
Cinematography by: Ralf D. Bode
Edited by: Edward Beyer
Cameras: Panavision Cameras
Sound Re-recordist
The Last Word (1979)
Directed by: Roy Boulting
Cinematography by: Jules Brenner
Edited by: George Grenville
Re-recording Mixer
The End (1978)
Directed by: Burt Reynolds
Cinematography by: Bobby Byrne
Edited by: Donn Cambern
Re-recording Mixer
The Deer Hunter (1978)
Directed by: Michael Cimino
Cinematography by: Vilmos Zsigmond
Edited by: Peter Zinner
Cameras: Panavision Panaflex Camera
Re-recordist
A Wedding (1978)
Directed by: Robert Altman
Cinematography by: Charles Rosher Jr.
Edited by: Tony Lombardo
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
High Anxiety (1977)
Directed by: Mel Brooks
Cinematography by: Paul Lohmann
Edited by: John C. Howard
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
New York, New York (1977)
Directed by: Martin Scorsese
Cinematography by: László Kovács
Cameras: Panavision Cameras
Re-recording Mixer
The Late Show (1977)
Directed by: Robert Benton
Cinematography by: Charles Rosher Jr.
Sound Re-recordist
Looking for Mr. Goodbar (1977)
Directed by: Richard Brooks
Cinematography by: William A. Fraker
Edited by: George Grenville
Sound Re-recordist
The Domino Principle (1977)
Directed by: Stanley Kramer
Edited by: John F. Burnett
Re-recording Mixer
Star Wars: Episode IV - A New Hope (1977)
Directed by: George Lucas
Cinematography by: Gilbert Taylor
Re-recording Mixer
Stay Hungry (1976)
Directed by: Bob Rafelson
Cinematography by: Victor J. Kemper
Edited by: John F. Link
Rerecordist
Smile (1975)
Directed by: Michael Ritchie
Cinematography by: Conrad L. Hall
Edited by: Richard A. Harris
Sound Re-recordist
Queen of the Stardust Ballroom (1975)
Directed by: Sam O'Steen
Cinematography by: David M. Walsh
Edited by: William H. Ziegler
Cameras: Panavision Cameras
Sound Re-recordist
The Killer Elite (1975)
Directed by: Sam Peckinpah
Cinematography by: Philip H. Lathrop
Sound Re-recordist
Mr. Majestyk (1974)
Directed by: Richard Fleischer
Cinematography by: Richard H. Kline
Edited by: Ralph E. Winters
Rerecording
Papillon (1973)
Directed by: Franklin J. Schaffner
Cinematography by: Fred J. Koenekamp
Edited by: Robert Swink
Dubbing Mixer
The Life and Times of Judge Roy Bean (1972)
Directed by: John Huston
Cinematography by: Richard Moore
Edited by: Hugh S. Fowler
Cameras: Panavision Cameras
Re-recordist
The Godfather (1972)
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Cameras: Mitchell BNCR Camera
Editing System: Moviola Editing System
Re-recording
Willy Wonka & the Chocolate Factory (1971)
Directed by: Mel Stuart
Cinematography by: Arthur Ibbetson
Edited by: David Saxon
Assistant Foley Artist
It's a Mad Mad Mad Mad World (1963)
Directed by: Stanley Kramer
Cinematography by: Ernest Laszlo
Cameras: Ultra Panavision 70 Camera
