Yôko Seto

20 Titles

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S1m0ne | ShotOnWhat?

First Assistant Editor

S1m0ne (2002)

Directed by: Andrew Niccol

Cinematography by: Edward Lachman

Edited by: Paul Rubell

The Cell | ShotOnWhat?

First Assistant Film Editor

The Cell (2000)

Directed by: Tarsem Singh

Cinematography by: Paul Laufer

Edited by: Robert Duffy, Paul Rubell

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera

Lenses: Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses

Last Man Standing | ShotOnWhat?

First Assistant Film Editor

Last Man Standing (1996)

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Freeman A. Davies

Waterworld | ShotOnWhat?

Assistant Sound Editor

Waterworld (1995)

Directed by: Kevin Reynolds

Cinematography by: Dean Semler

Edited by: Peter Boyle

Cameras: Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Wild Bill | ShotOnWhat?

First Assistant Editor

Wild Bill (1995)

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Freeman A. Davies

The Shadow | ShotOnWhat?

Assistant Sound Editor

The Shadow (1994)

Directed by: Russell Mulcahy

Cinematography by: Stephen H. Burum

Edited by: Peter Honess

Intersection | ShotOnWhat?

Assistant Film Editor

Intersection (1994)

Directed by: Mark Rydell

Cinematography by: Vilmos Zsigmond

Edited by: Mark Warner

Last Action Hero | ShotOnWhat?

Assistant Sound Editor

Last Action Hero (1993)

Directed by: John McTiernan

Cinematography by: Dean Semler

Edited by: Richard A. Harris, John Wright

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

RoboCop 3 | ShotOnWhat?

First Assistant Editor

RoboCop 3 (1993)

Directed by: Fred Dekker

Cinematography by: Gary B. Kibbe

Edited by: Bert Lovitt

Trespass | ShotOnWhat?

Assistant Film Editor

Trespass (1992)

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Freeman A. Davies

Leap of Faith | ShotOnWhat?

Assistant Film Editor

Leap of Faith (1992)

Directed by: Richard Pearce

Cinematography by: Matthew F. Leonetti

Edited by: John F. Burnett, Mark Warner, Don Zimmerman

Another 48 Hrs. | ShotOnWhat?

Assistant Editor

Another 48 Hrs. (1990)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies, Tim Ryder

Cameras: Ultracam 35 Camera

Almost an Angel | ShotOnWhat?

Assistant Editor

Almost an Angel (1990)

Directed by: John Cornell

Cinematography by: Russell Boyd

Edited by: David Stiven

Johnny Handsome | ShotOnWhat?

First Assistant Editor

Johnny Handsome (1989)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies

Red Heat | ShotOnWhat?

First Assistant Editor

Red Heat (1988)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies

Cocoon: The Return | ShotOnWhat?

Assistant Editor

Cocoon: The Return (1988)

Directed by: Daniel Petrie

Cinematography by: Tak Fujimoto

Edited by: Mark Warner

The Running Man | ShotOnWhat?

Assistant Editor

The Running Man (1987)

Directed by: Paul Michael Glaser

Cinematography by: Thomas Del Ruth

Edited by: Mark Warner, Edward A. Warschilka, John Wright

Extreme Prejudice | ShotOnWhat?

Assistant Editor

Extreme Prejudice (1987)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Freeman A. Davies, David Holden, Billy Weber

Crossroads | ShotOnWhat?

Assistant Film Editor

Crossroads (1986)

Directed by: Walter Hill

Cinematography by: John Bailey

Edited by: Freeman A. Davies

Cameras: Panavision Cameras

Brewster's Millions | ShotOnWhat?

Apprentice Film Editor

Brewster's Millions (1985)

Directed by: Walter Hill

Cinematography by: Ric Waite

Edited by: Freeman A. Davies, Michael Ripps

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