Visual Effects
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Coordinator
Space Cowboys (2000)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Second Assistant Director
The Specialist (1994)
Directed by: Luis Llosa
Cinematography by: Jeffrey L. Kimball
Edited by: Jack Hofstra
First Assistant Director
Mr. Nanny (1993)
Directed by: Michael Gottlieb
Cinematography by: Peter Stein
Visual Effects
1492: Conquest of Paradise (1992)
Directed by: Ridley Scott
Cinematography by: Adrian Biddle
Second Second Assistant Director
Johnny Handsome (1989)
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Second Assistant Director / Second Unit Director
Lock Up (1989)
Directed by: John Flynn
Cinematography by: Donald E. Thorin
Cameras: Panavision Cameras
Visual Effects
Indiana Jones and the Last Crusade (1989)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Second Second Assistant Director
Lean on Me (1989)
Directed by: John G. Avildsen
Cinematography by: Victor Hammer
Second Second Assistant Director
Bright Lights, Big City (1988)
Directed by: James Bridges
Cinematography by: Gordon Willis
Additional Second Assistant Director
Coming to America (1988)
Directed by: John Landis
Cinematography by: Woody Omens
Cameras: Panavision Panaflex Gold Camera
Second Second Assistant Director
Willow (1988)
Directed by: Ron Howard
Cinematography by: Adrian Biddle
Cameras: Panavision Panaflex Gold Camera
Visual Effects Coordinator
*batteries not included (1987)
Directed by: Matthew Robbins
Cinematography by: John McPherson
Edited by: Cynthia Scheider
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Second Second Assistant Director
Nuts (1987)
Directed by: Martin Ritt
Cinematography by: Andrzej Bartkowiak
Edited by: Sidney Levin
Production Assistant
Someone to Watch Over Me (1987)
Directed by: Ridley Scott
Cinematography by: Steven Poster
Edited by: Claire Simpson
Assistant Stunt Coordinator
F/X (1986)
Directed by: Robert Mandel
Cinematography by: Miroslav Ondrícek
Edited by: Terry Rawlings
Cameras: Panavision Cameras
Production Staff
The Cotton Club (1984)
Directed by: Francis Ford Coppola
Cinematography by: Stephen Goldblatt
Cameras: Panavision Cameras