Postvisualisation Editor: The Third Floor
Napoleon (2023)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: ARRI ALEXA Mini LF Camera
Lenses: Angenieux Lenses, Panavision Lenses
Previs Editor: The Third Floor
Christopher Robin (2018)
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Matt Chesse
Avid Assistant Editor
The Legend of Tarzan (2016)
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Additional Editing
Big Game (2014)
Directed by: Jalmari Helander
Cinematography by: Mika Orasmaa
Edited by: Iikka Hesse
Cameras: ARRI ALEXA Camera, Blackmagic Cinema Camera, Canon EOS-C300 Camera, Phantom Flex Camera, Red Epic Camera
Lenses: Hawk Anamorphic Lenses
Assistant Editor
Ex Machina (2014)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Mark Day
Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Editing System: Avid Editing System
Trainee Assistant Editor
Kick-Ass 2 (2013)
Directed by: Jeff Wadlow
Cinematography by: Tim Maurice-Jones
Edited by: Eddie Hamilton
Rear Projectionist: Additional Photography
Last Passenger (2013)
Directed by: Omid Nooshin
Cinematography by: Angus Hudson
Edited by: Joe Walker
Cameras: ARRI ALEXA Plus Camera
Editing System: Avid Editing System
Editorial Assistant
The Woman in Black (2012)
Directed by: James Watkins
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
