Chris F. Woods

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Ghost in the Shell | ShotOnWhat?

Visual Effects QC Colorist

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

The Huntsman: Winter's War | ShotOnWhat?

Visual Effects Screening Colorist

The Huntsman: Winter's War (2016)

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

The Revenant | ShotOnWhat?

Davinci Resolve Operator

The Revenant (2015)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Spring Breakers | ShotOnWhat?

Digital Intermediate Conform Editor: Cinema Pixel, Visual Effects Supervisor: Cinema Pixel

Spring Breakers (2012)

Directed by: Harmony Korine

Cinematography by: Benoît Debie

Edited by: Douglas Crise

Cameras: ARRICAM Lite (LT) Camera

Hometown Glory | ShotOnWhat?

Di Edit Supervisor

Hometown Glory (2010)

Directed by: Ray Costa

Cinematography by: Waheed AlQawasmi

Edited by: Waheed AlQawasmi, Jake Hamilton

My Son, My Son, What Have Ye Done | ShotOnWhat?

Digital Intermediate Producer: Cinemapixel , Visual Effects Producer: Cinemapixel

My Son, My Son, What Have Ye Done (2009)

Directed by: Werner Herzog

Cinematography by: Peter Zeitlinger

Edited by: Joe Bini, Omar Daher

Days of Wrath | ShotOnWhat?

Post-production Supervisor , Visual Effects Supervisor

Days of Wrath (2008)

Directed by: Celia Fox

Cinematography by: Steven Fierberg

Edited by: Anne Goursaud, Michael Schultz

Rescue Dawn | ShotOnWhat?

Visual Effects Producer: Cinemapixel / Visual Effects Supervisor

Rescue Dawn (2006)

Directed by: Werner Herzog

Cinematography by: Peter Zeitlinger

Edited by: Joe Bini

Dinosaur | ShotOnWhat?

Manager Of Technology / Visual Effects Supervisor

Dinosaur (2000)

Directed by: Eric Leighton, Ralph Zondag

Cinematography by: David R. Hardberger, Steven Douglas Smith

Edited by: H. Lee Peterson

Cameras: VistaVision Cameras

Terminal Velocity | ShotOnWhat?

Visual Effects Designer

Terminal Velocity (1994)

Directed by: Deran Sarafian

Cinematography by: Oliver Wood

Edited by: Peck Prior, Frank J. Urioste

Super Mario Bros. | ShotOnWhat?

Second Unit Director , Visual Effects Designer And Supervisor

Super Mario Bros. (1993)

Directed by: Annabel Jankel, Rocky Morton

Cinematography by: Dean Semler

Edited by: Mark Goldblatt

The Bonfire of the Vanities | ShotOnWhat?

Producer: Title Sequence, R/greenberg Associates

The Bonfire of the Vanities (1990)

Directed by: Brian De Palma

Cinematography by: Vilmos Zsigmond

Edited by: Bill Pankow, David Ray

The Untouchables | ShotOnWhat?

Main & End Title Producer

The Untouchables (1987)

Directed by: Brian De Palma

Cinematography by: Stephen H. Burum

Edited by: Gerald B. Greenberg, Bill Pankow

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision C Anamorphic Flare Lenses, Panavision C Anamorphic Portrait Lenses, Panavision Lenses

Dirty Dancing | ShotOnWhat?

Title/optical Producer: R/Greenberg Assoc.

Dirty Dancing (1987)

Directed by: Emile Ardolino

Cinematography by: Jeffrey Jur

Edited by: Peter C. Frank

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