Seung Ryong Jeon

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Mission: Impossible - Dead Reckoning Part One | ShotOnWhat?

Digital Artist: ILM

Mission: Impossible - Dead Reckoning Part One (2023)

Directed by: Christopher McQuarrie

Cinematography by: Fraser Taggart

Edited by: Eddie Hamilton

Cameras: Sony CineAlta VENICE Camera

Avengers: Endgame | ShotOnWhat?

Digital Compositor

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Ready Player One | ShotOnWhat?

Digital Compositor

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Solo: A Star Wars Story | ShotOnWhat?

Digital Compositor

Solo: A Star Wars Story (2018)

Directed by: Ron Howard

Cinematography by: Bradford Young

Edited by: Pietro Scalia

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

Star Wars: The Force Awakens | ShotOnWhat?

Digital Compositor

Star Wars: Episode VII - The Force Awakens (2015)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

Editing System: Avid Editing System

Xi you ji: Da nao tian gong | ShotOnWhat?

Digital Compositor

Xi you ji: Da nao tian gong (2014)

Directed by: Soi Cheang

Cinematography by: Man Po Cheung, Tao Yang

Edited by: Ka-Fai Cheung

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Zeiss Master Prime Lenses

Sinsegye | ShotOnWhat?

Digital Compositor

Sinsegye (2013)

Directed by: Hoon-jung Park

Cinematography by: Chung-hoon Chung, Eok Yu

Edited by: Sae-kyoung Moon

Cameras: Red One Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Front Line | ShotOnWhat?

Digital Compositor

The Front Line (2011)

Directed by: Hun Jang

Cinematography by: Woo-hyung Kim

Edited by: Jae-beom Kim, Sang-beom Kim

The Man from Nowhere | ShotOnWhat?

Digital Compositor

The Man from Nowhere (2010)

Directed by: Jeong-beom Lee

Cinematography by: Tae-yun Lee

Edited by: Sang-beom Kim

The Forbidden Kingdom | ShotOnWhat?

Digital Compositor

The Forbidden Kingdom (2008)

Directed by: Rob Minkoff

Cinematography by: Peter Pau

Edited by: Eric Strand

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

West 32nd | ShotOnWhat?

Compositor: DTI

West 32nd (2007)

Directed by: Michael Kang

Cinematography by: Simon Coull

Edited by: David Leonard

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