Foley Artist
Capharnaüm (2018)
Directed by: Nadine Labaki
Cinematography by: Christopher Aoun
Cameras: ARRI ALEXA Camera
Lenses: Hawk C-Series Lenses
Foley Artist
Ange et Gabrielle (2015)
Directed by: Anne Giafferi
Cinematography by: Stéphane Cami
Edited by: Christine Lucas Navarro
Cameras: ARRI ALEXA XT Plus Camera
Sound Effects Editor
Age of Uprising: The Legend of Michael Kohlhaas (2013)
Directed by: Arnaud des Pallières
Cinematography by: Jeanne Lapoirie
Lenses: Angenieux HR 25-250 mm T3.5 Lens
Foley Artist
Nous York (2012)
Cinematography by: Stéphane Le Parc
Edited by: Benjamin Weill
Cameras: ARRI ALEXA Camera
Assistant Sound Editor
The Kid with a Bike (2011)
Cinematography by: Alain Marcoen
Edited by: Marie-Hélène Dozo
Cameras: ARRICAM Lite (LT) Camera
Foley Artist
Confidences trop intimes (2004)
Directed by: Patrice Leconte
Cinematography by: Eduardo Serra
Edited by: Joëlle Hache
Foley Artist
The Chorus (2004)
Directed by: Christophe Barratier
Edited by: Yves Deschamps
Lenses: Hawk Anamorphic Lenses
Foley Artist
Après Vous (2003)
Directed by: Pierre Salvadori
Cinematography by: Gilles Henry
Edited by: Isabelle Devinck
Assistant Foley Artist
Swimming Pool (2003)
Directed by: François Ozon
Cinematography by: Yorick Le Saux
Edited by: Monica Coleman
Foley Artist
Ruby & Quentin (2003)
Directed by: Francis Veber
Cinematography by: Luciano Tovoli
Edited by: Georges Klotz
Foley Artist
Petites coupures (2003)
Directed by: Pascal Bonitzer
Cinematography by: William Lubtchansky
Edited by: Suzanne Koch
Foley Artist
Une femme de ménage (2002)
Directed by: Claude Berri
Cinematography by: Eric Gautier
Edited by: François Gédigier
Sound Effects Editor
Friday Night (2002)
Directed by: Claire Denis
Cinematography by: Agnès Godard
Edited by: Nelly Quettier
Cameras: Aaton 35-III Camera, Aaton A-Minima Camera
Foley Artist
Man on the Train (2002)
Directed by: Patrice Leconte
Cinematography by: Jean-Marie Dreujou
Edited by: Joëlle Hache
Foley Artist
Maya (2001)
Directed by: Digvijay Singh
Cinematography by: Mark Lapwood
Edited by: Bridget Lyon
