Digital Intermediate Support
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Intermediate Producer
The Duchess (2008)
Directed by: Saul Dibb
Cinematography by: Gyula Pados
Edited by: Masahiro Hirakubo
Digital Intermediate Support
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Liaison: Atlab Digital
Like Minds (2006)
Directed by: Gregory Read
Cinematography by: Nigel Bluck
Edited by: Mark Warner
Digital Liaison
The Marine (2006)
Directed by: John Bonito
Cinematography by: David Eggby
Edited by: Dallas Puett
Digital Liaison
Ten Canoes (2006)
Cinematography by: Ian Jones
Edited by: Tania Nehme
Cameras: ARRIFLEX 35 BL4s Camera
Digital Liaison
Suburban Mayhem (2006)
Directed by: Paul Goldman
Cinematography by: Robert Humphreys
Edited by: Stephen Evans
Digital Liaison
The Book of Revelation (2006)
Directed by: Ana Kokkinos
Cinematography by: Tristan Milani
Edited by: Martin Connor
Laboratory Liaison
Happy Feet (2006)
Cinematography by: David Peers
Editing System: Final Cut Pro Editing System
Digital Liaison
House of Flying Daggers (2004)
Directed by: Yimou Zhang
Cinematography by: Xiaoding Zhao
Edited by: Long Cheng
Lenses: Cooke Lenses, Zeiss Lenses
Digital Liaison, Lab Liaison
Love's Brother (2004)
Directed by: Jan Sardi
Cinematography by: Andrew Lesnie
Edited by: Veronika Jenet
Digital Optical Effects
Somersault (2004)
Directed by: Cate Shortland
Cinematography by: Robert Humphreys
Edited by: Scott Gray
Digital Liaison
Ying xiong (2002)
Directed by: Yimou Zhang
Cinematography by: Christopher Doyle
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses: Angenieux Lenses, Cooke Lenses
Digital Liaison
The Quiet American (2002)
Directed by: Phillip Noyce
Cinematography by: Christopher Doyle
Edited by: John Scott
Cameras: Panavision Cameras
Lenses: Panavision Lenses
