Elodie Ly Tri

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At Eternity's Gate | ShotOnWhat?

On-line Editor

At Eternity's Gate (2018)

Directed by: Julian Schnabel

Cinematography by: Benoît Delhomme

Edited by: Louise Kugelberg, Julian Schnabel

Cameras: Red Helium (Weapon) 8K

Lenses: Kowa Cine Prominar 20mm T2.3 Lens, Kowa Cine Prominar 25mm T2.3 Lens, Kowa Cine Prominar 32mm T2.3 Lens, Kowa Cine Prominar Spherical Lenses

Astérix and Obélix: God Save Britannia | ShotOnWhat?

Data Manager, On-line Editor

Astérix and Obélix: God Save Britannia (2012)

Directed by: Laurent Tirard

Cinematography by: Catherine Pujol, Denis Rouden

Edited by: Valérie Deseine

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens

Holy Motors | ShotOnWhat?

Data Manager

Holy Motors (2012)

Directed by: Leos Carax

Cinematography by: Yves Cape, Caroline Champetier

Edited by: Nelly Quettier

Cameras: Red Epic Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

District 13: Ultimatum | ShotOnWhat?

Retouch And Restoration

District 13: Ultimatum (2009)

Directed by: Patrick Alessandrin

Cinematography by: Jean-François Hensgens

Edited by: Stéphane Garnier, Julien Rey

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

One for the Road | ShotOnWhat?

Retouch And Restoration

One for the Road (2009)

Directed by: Philippe Godeau

Cinematography by: Jean-Marc Fabre

Cameras: ARRICAM Studio (ST) Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Baarìa | ShotOnWhat?

Retouch And Restoration

Baarìa (2009)

Directed by: Giuseppe Tornatore

Cinematography by: Enrico Lucidi

Edited by: Massimo Quaglia

Mr. Nobody | ShotOnWhat?

Retouch And Restoration

Mr. Nobody (2009)

Directed by: Jaco Van Dormael

Cinematography by: Christophe Beaucarne

Edited by: Susan Shipton, Matyas Veress

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Master Prime Lenses

Coco | ShotOnWhat?

Retouch And Restoration

Coco (2009)

Directed by: Gad Elmaleh

Cinematography by: Gilles Henry

In the Electric Mist | ShotOnWhat?

Retouch And Restoration

In the Electric Mist (2009)

Directed by: Bertrand Tavernier

Cinematography by: Bruno de Keyzer

Edited by: Thierry Derocles, Larry Madaras, Roberto Silvi

Coco Before Chanel | ShotOnWhat?

Retouch And Restoration

Coco Before Chanel (2009)

Directed by: Anne Fontaine

Cinematography by: Christophe Beaucarne

Edited by: Luc Barnier

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Le code a changé | ShotOnWhat?

Retouch And Restoration

Le code a changé (2009)

Directed by: Danièle Thompson

Cinematography by: Jean-Marc Fabre

Edited by: Sylvie Landra

Cameras: Moviecam Compact MK2 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Afterwards | ShotOnWhat?

Retouch And Restoration

Afterwards (2008)

Directed by: Gilles Bourdos

Cinematography by: Ping Bin Lee

Edited by: Valérie Deseine

Secret défense | ShotOnWhat?

Retouch And Restoration

Secret défense (2008)

Directed by: Philippe Haïm

Cinematography by: Jérôme Alméras

Edited by: Sylvie Landra

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

The Heir Apparent: Largo Winch | ShotOnWhat?

Retouch And Restoration

The Heir Apparent: Largo Winch (2008)

Directed by: Jérôme Salle

Cinematography by: Denis Rouden

Edited by: Richard Marizy

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Babylon A.D. | ShotOnWhat?

Retouch And Restoration

Babylon A.D. (2008)

Directed by: Mathieu Kassovitz

Cinematography by: Thierry Arbogast

Edited by: Benjamin Weill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, ARRIFLEX 535 B Camera

Lenses: Panavision Primo Anamorphic Lenses

Transporter 3 | ShotOnWhat?

Retouch And Restoration

Transporter 3 (2008)

Directed by: Olivier Megaton

Cinematography by: Giovanni Fiore Coltellacci

Edited by: Camille Delamarre, Carlo Rizzo

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Astérix aux jeux olympiques | ShotOnWhat?

Retouch And Restoration

Astérix aux jeux olympiques (2008)

Directed by: Frédéric Forestier, Thomas Langmann

Cinematography by: Thierry Arbogast

Edited by: Yannick Kergoat, Julien Rey, Vincent Tabaillon

Mesrine Part 2: Public Enemy #1 | ShotOnWhat?

Retouch And Restoration

Mesrine Part 2: Public Enemy #1 (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Bill Pankow, Hervé Schneid

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Seuls Two | ShotOnWhat?

Retouch And Restoration

Seuls Two (2008)

Directed by: Ramzy Bedia, Eric Judor

Cinematography by: Philippe Piffeteau

Edited by: Sébastien de Sainte Croix, Jean-Christophe Hym

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

The Diving Bell and the Butterfly | ShotOnWhat?

Retouch And Restoration

The Diving Bell and the Butterfly (2007)

Directed by: Julian Schnabel

Cinematography by: Janusz Kaminski

Edited by: Juliette Welfling

Cameras: ARRIFLEX 435 Camera

Lenses: ARRI Shift & Tilt System Lens, Zeiss Super Speed Lenses

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