Colorist
'Orange Is the New Black' Be Free (2018)
Directed by: Nick Sandow
Cinematography by: Ludovic Littee
Edited by: Shannon Mitchell
Colorist
'Orange Is the New Black' Double Trouble (2018)
Directed by: Clark Johnson
Cinematography by: Ludovic Littee
Edited by: Bill Turro
Colorist
'Orange Is the New Black' Well This Took a Dark Turn (2018)
Directed by: Laura Prepon
Cinematography by: Ludovic Littee
Edited by: Amy M. Fleming
Colorist
'Orange Is the New Black' Chocolate Chip Nookie (2018)
Directed by: Ludovic Littee
Cinematography by: Wylda Bayron
Edited by: Shannon Mitchell
Colorist
'Orange Is the New Black' Break the String (2018)
Directed by: Nick Sandow
Cinematography by: Andrew Voegeli
Edited by: Bill Turro
Colorist
'Orange Is the New Black' Gordons (2018)
Directed by: Sian Heder
Cinematography by: Ludovic Littee
Edited by: Amy M. Fleming
Colorist
'Orange Is the New Black' Changing Winds (2018)
Directed by: Andrew McCarthy
Cinematography by: Ludovic Littee
Edited by: Shannon Mitchell
Colorist
'Orange Is the New Black' State of the Uterus (2018)
Directed by: Constantine Makris
Cinematography by: Ludovic Littee
Edited by: Bill Turro
Colorist
'Orange Is the New Black' Mischief Mischief (2018)
Directed by: Andrew McCarthy
Cinematography by: Ludovic Littee
Edited by: Amy M. Fleming
Colorist
'Orange Is the New Black' I'm the Talking Ass (2018)
Directed by: Phil Abraham
Cinematography by: Ludovic Littee
Edited by: Shannon Mitchell
Colorist
'Orange Is the New Black' Look Out for Number One (2018)
Directed by: Erin Feeley
Cinematography by: Ludovic Littee
Edited by: Jennifer Hatton
Colorist
'Orange Is the New Black' Sh*tstorm Coming (2018)
Directed by: Mark A. Burley
Cinematography by: Ludovic Littee
Edited by: Amy M. Fleming
Colorist
'Orange Is the New Black' Who Knows Better Than I (2018)
Directed by: Michael Trim
Cinematography by: Ludovic Littee
Edited by: Shannon Mitchell
Dailies Technician
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Colorist - 13 Episodes, 2018
Orange Is the New Black (2013)
Directed by: Andrew McCarthy, Phil Abraham, Michael Trim, Constantine Makris, Mark A. Burley, Nick Sandow, Uta Briesewitz, Erin Feeley, Laura Prepon, Jodie Foster, Jesse Peretz, Ludovic Littee, Matthew Penn, Allison Anders, S.J. Clarkson, Jennifer Getzinger, Daisy von Scherler Mayer, Anthony Hemingway, Nicole Holofcener, Julie Anne Robinson, Adam Bernstein, Tricia Brock, Lev L. Spiro, Matthew Weiner, Wendey Stanzler, Sian Heder, Clark Johnson, Natasha Lyonne, Diego Velasco
Cinematography by: Ludovic Littee, Vanja Cernjul, Yaron Orbach, Manuel Billeter, Michael Trim, David M. Dunlap, Wylda Bayron, Andrew Voegeli, William Newell
Edited by: Bill Turro, Shannon Mitchell, Michael Stern, Amy M. Fleming, Tim Boettcher, W. Kale Whorton, Jennifer Hatton, James A. Brewer, Liza Cardinale, Rockie Stephens
Cameras: ARRI ALEXA Camera, Panasonic VariCam 35
Lenses: Cooke 5/i Lenses
Editing System: Avid Editing System
Bg Editor
Circle of Pain (2010)
Directed by: Daniel Zirilli
Edited by: Kelly A. Morris
Cameras: Red One Camera
Assistant Sound Re-recording Mixer
Born to Raise Hell (2010)
Directed by: Lauro David Chartrand-DelValle
Cinematography by: Eric J. Goldstein
Edited by: Trevor Mirosh
Assistant Sound Re-recording Mixer
The Client List (2010)
Directed by: Eric Laneuville
Cinematography by: Tony Westman
Edited by: Lisa Robison
Cameras: Panavision Cameras
Lenses: Angenieux Optimo Zoom Lenses
Assistant Re-recording Mixer
Bond of Silence (2010)
Directed by: Peter Werner
Cinematography by: Attila Szalay
Edited by: David Beatty
Assistant Sound Re-recording Mixer
Tucker and Dale vs Evil (2010)
Directed by: Eli Craig
Cinematography by: David Geddes
Edited by: Bridget Durnford
Cameras: Red One Camera
Assistant Re-recording Mixer
The Lost Future (2010)
Directed by: Mikael Salomon
Cinematography by: Paul Gilpin
Edited by: Allan Lee
M&e Re-recording Mixer
Rampage (2009)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Thomas Sabinsky
M&e Re-recording Mixer
Damage (2009)
Directed by: Jeff King
Cinematography by: Tom Harting
Edited by: Jamie Alain
M&e Re-recording Mixer
The New Daughter (2009)
Directed by: Luiso Berdejo
Cinematography by: Checco Varese
Assistant Re-recording Mixer
The Haunting in Connecticut (2009)
Directed by: Peter Cornwell
Cinematography by: Adam Swica
Edited by: Tom Elkins
Cameras: Moviecam Compact Camera, Panavision Cameras
Lenses: Angenieux Optimo Zoom Lenses
M&e Re-recording Mixer
A Shine of Rainbows (2009)
Directed by: Vic Sarin
Cinematography by: Vic Sarin
Edited by: Alison Grace
Assistant Re-recording Mixer
New in Town (2009)
Directed by: Jonas Elmer
Cinematography by: Chris Seager
Edited by: Troy Takaki
