Digital Colorist Dailies: MDI Margutta Digital International
John Wick: Chapter 2 (2017)
Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Evan Schiff
Cameras: ARRI ALEXA XT Plus Camera
Digital Intermediate Colorist
Tutti al mare (2011)
Directed by: Matteo Cerami
Cinematography by: Maurizio Calvesi
Telecine Colorist Dailies: Italy
The American (2010)
Directed by: Anton Corbijn
Cinematography by: Martin Ruhe
Edited by: Andrew Hulme
Digital Intermediate Colorist
Angel of Evil (2010)
Directed by: Michele Placido
Cinematography by: Arnaldo Catinari
Edited by: Consuelo Catucci
Digital Intermediate Colorist
Il divo - La spettacolare vita di Giulio Andreotti (2008)
Directed by: Paolo Sorrentino
Cinematography by: Luca Bigazzi
Edited by: Cristiano Travaglioli
Digital Mastering Colorist
La ragazza del lago (2007)
Directed by: Andrea Molaioli
Cinematography by: Ramiro Civita
Edited by: Giogiò Franchini
Colorist
Days and Clouds (2007)
Directed by: Silvio Soldini
Cinematography by: Ramiro Civita
Edited by: Carlotta Cristiani
Cameras: ARRICAM Lite (LT) Camera
Digital Intermediate Colorist
In ascolto (2006)
Directed by: Giacomo Martelli
Cinematography by: Eric Maddison
Telecine Colorist Dailies: Italy
The Life Aquatic with Steve Zissou (2004)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Telecine Colorist Dailies: Italy
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Digital Mastering Colorist
Sotto falso nome (2004)
Directed by: Roberto Andò
Cinematography by: Maurizio Calvesi
Edited by: Claudio Di Mauro
Telecine Colorist Dailies: Italy
Under the Tuscan Sun (2003)
Directed by: Audrey Wells
Cinematography by: Geoffrey Simpson
