Underwater Lighting - 1 Episode, 2011
Shameless (2011)
Directed by: Mark Mylod, Christopher Chulack, Iain B. MacDonald, John Wells, Anthony Hemingway, Mimi Leder, David Nutter, Sanaa Hamri, Peter Segal, Zetna Fuentes, John Dahl, Alex Graves, Gary B. Goldman, William H. Macy, Wendey Stanzler, Allison Liddi-Brown, Emmy Rossum, Adam Bernstein, Scott Frank, Todd Holland, Stephen Hopkins, Daisy von Scherler Mayer, Craig Zisk, Danny Cannon, Randall Einhorn, James M. Muro, Steve Shill, James Ponsoldt, Richie Keen, Michael Uppendahl, Nisha Ganatra, Ruben Garcia, Rob Hardy, Jake Schreier, Lynn Shelton, John M. Valerio, Regina King, Michael Morris, Kat Coiro, Erin Feeley, Anna Mastro, Jeffrey Reiner, Silver Tree, Shari Springer Berman, Robert Pulcini, Roberto Sneider, Loren S. Yaconelli
Cinematography by: Kevin McKnight, Rodney Charters, Anthony Hardwick, Loren S. Yaconelli, James M. Muro
Edited by: John M. Valerio, Regis Kimble, Tim Tommasino, Russell Denove, Mark Strand, Gregg Featherman, Kelley Dixon, Finnian Murray, Michael Stern, Thomas M. Bolger, Robert Bramwell, Omar Hassan-Reep, Shannon Mitchell, Kevin D. Ross, Mark Sadlek, Toby Yates, Julie Monroe, Jeffrey M. Werner, Sam Bollinger, David Moritz, Brent McReynolds, Chetin Chabuk
Cameras: ARRI ALEXA Camera, Red One MX Camera
Editing System: Avid Editing System
Underwater Lighting
'Shameless' Frank Gallagher: Loving Husband, Devoted Father (2011)
Directed by: David Nutter
Cinematography by: Rodney Charters
Edited by: Kelley Dixon
Gaffer: Second Unit
Dreamgirls (2006)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Lighting Technician
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Dolly Grip
Stamp of a Killer (1987)
Directed by: Larry Elikann
Cinematography by: William Wages
Edited by: Harry Kaye