Colorist, Post-production Supervisor
Fruitvale Station (2013)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Cameras: ARRIFLEX 416 Camera
Lenses: Zeiss Ultra 16 Lenses
Colorist
Stitch in Time (2012)
Directed by: Jigeesh Magar
Cinematography by: Jesse Dana
Edited by: Matt Straus
Digital Intermediate Assistant
Twixt (2011)
Directed by: Francis Ford Coppola
Cinematography by: Mihai Malaimare Jr.
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Colorist
Everyday Black Man (2010)
Directed by: Carmen Madden
Cinematography by: Phillip Briggs
Edited by: Judd Flemming
Visual Effects Assistant Editor
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Visual Effects Assistant Editor: ILM
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Assistant Visual Effects Editor
Signs (2002)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Visual Effects Assistant Editor
The Mummy Returns (2001)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Visual Effects Assistant Editor
Galaxy Quest (1999)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Editorial Staff: ILM
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Visual Effects Editorial Assistant
Mighty Joe Young (1998)
Directed by: Ron Underwood
Edited by: Paul Hirsch
Visual Effects Assistant Editor: ILM - 2002 Special Version
E.T. the Extra-Terrestrial (1982)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Carol Littleton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
