Lead Compositor: Visual Effects
The Predator (2018)
Directed by: Shane Black
Cinematography by: Larry Fong
Edited by: Harry B. Miller III
Digital Artist: Visual Effects
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Lead Compositor
Wonder Woman (2017)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Martin Walsh
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses: ARRI Rental Prime 65 Lenses
Lead Compositor: MPC
Transformers: The Last Knight (2017)
Directed by: Michael Bay
Cinematography by: Jonathan Sela
Sr. Compositor
Sin City: A Dame to Kill For (2014)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: ARRI ALEXA M Camera
Lenses: Fujinon Premier Lenses
Editing System: Avid Editing System
Sr. Compositor
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Compositor
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Compositor
Krrish 3 (2013)
Directed by: Rakesh Roshan
Cinematography by: S. Tirru
Edited by: Chandan Arora
Cameras: ARRIFLEX 35mm Cameras
Sr. Compositor
Jab Tak Hai Jaan (2012)
Directed by: Yash Chopra
Cinematography by: Anil Mehta
Edited by: Namrata Rao
Cameras: ARRIFLEX 435 Xtreme Camera
