Sound Designer / Supervising Sound Editor
Never Look Away (2018)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Zeiss Master Prime Lenses
Sound Effects Editor
Türkisch für Anfänger (2012)
Directed by: Bora Dagtekin
Edited by: Charles Ladmiral
Cameras: ARRI ALEXA Camera
Sound Effects Editor
Russendisko (2012)
Directed by: Oliver Ziegenbalg
Cinematography by: Tetsuo Nagata
Edited by: Peter R. Adam
Cameras: ARRI ALEXA Camera
Sound Effects Editor
Hell (2011)
Directed by: Tim Fehlbaum
Cinematography by: Markus Förderer
Edited by: Andreas Menn
Cameras: Red One MX Camera
Editing System: Final Cut Pro Editing System
Sound Designer / Supervising Sound Editor
Death of a Superhero (2011)
Directed by: Ian Fitzgibbon
Cinematography by: Tom Fährmann
Edited by: Tony Cranstoun
Cameras: ARRI ALEXA Camera, Canon EOS-5D Mark II Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Sound Effects Editor
Anonymous (2011)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Peter R. Adam
Cameras: ARRI ALEXA Camera
Sound Designer / Supervising Sound Editor
The Lives of Others (2006)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: Hagen Bogdanski
Edited by: Patricia Rommel
Cameras: ARRIFLEX 535 B Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Foley Editor
Erbsen auf halb 6 (2004)
Directed by: Lars Büchel
Cinematography by: Judith Kaufmann
Edited by: Peter R. Adam
Sound Editor
Luther (2003)
Directed by: Eric Till
Cinematography by: Robert Fraisse
Edited by: Clive Barrett
Cameras: ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses
