Jonathan Taranto

6 Titles

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I, Frankenstein | ShotOnWhat?

Matte Painter

I, Frankenstein (2014)

Directed by: Stuart Beattie

Cinematography by: Ross Emery

Edited by: Marcus D'Arcy

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Sapphires | ShotOnWhat?

Matte Painter: Method Studios

The Sapphires (2012)

Directed by: Wayne Blair

Cinematography by: Warwick Thornton

Edited by: Dany Cooper

Argo | ShotOnWhat?

Digital Matte Painter

Argo (2012)

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Knowing | ShotOnWhat?

Matte Painter

Knowing (2009)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: Richard Learoyd

Cameras: Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Daybreakers | ShotOnWhat?

Matte Painter / Visual Effects Art Department: Postmodern

Daybreakers (2009)

Directed by: Michael Spierig, Peter Spierig

Cinematography by: Ben Nott

Edited by: Matt Villa

Australia | ShotOnWhat?

Digital Matte Painter: Postmodern Sydney

Australia (2008)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Dody Dorn, Michael McCusker

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

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