Elisa Pretta

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Yves Saint Laurent | ShotOnWhat?

Digital Compositor

Yves Saint Laurent (2014)

Directed by: Jalil Lespert

Cinematography by: Thomas Hardmeier

Edited by: François Gédigier

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses: Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Les trois frères, le retour | ShotOnWhat?

Digital Compositor

Les trois frères, le retour (2014)

Directed by: Didier Bourdon, Bernard Campan, Pascal Légitimus

Cinematography by: Pascal Caubère

Edited by: Jeanne Kef

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Maintenant ou jamais | ShotOnWhat?

Digital Compositor

Maintenant ou jamais (2014)

Directed by: Serge Frydman

Cinematography by: Pierre-Hugues Galien

Edited by: Céline Kélépikis

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Grace of Monaco | ShotOnWhat?

Digital Compositor

Grace of Monaco (2014)

Directed by: Olivier Dahan

Cinematography by: Eric Gautier

Edited by: Olivier Gajan

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses

L'homme qui rit | ShotOnWhat?

Digital Compositor

L'homme qui rit (2012)

Directed by: Jean-Pierre Améris

Cinematography by: Gérard Simon

Edited by: Philippe Bourgueil

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Nous York | ShotOnWhat?

Digital Compositor

Nous York (2012)

Directed by: Hervé Mimran, Géraldine Nakache

Cinematography by: Stéphane Le Parc

Edited by: Benjamin Weill

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Amour | ShotOnWhat?

Digital Compositor

Amour (2012)

Directed by: Michael Haneke

Cinematography by: Darius Khondji

Edited by: Nadine Muse, Monika Willi

Cameras: ARRI ALEXA Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

Stand Up Guys | ShotOnWhat?

Compositor

Stand Up Guys (2012)

Directed by: Fisher Stevens

Cinematography by: Michael Grady

Edited by: Mark Livolsi

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Lady | ShotOnWhat?

Compositing Graphic Artist: Duran Duboi

The Lady (2011)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Day of the Falcon | ShotOnWhat?

Digital Compositor

Day of the Falcon (2011)

Directed by: Jean-Jacques Annaud

Cinematography by: Jean-Marie Dreujou

Edited by: Hervé Schneid

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Miral | ShotOnWhat?

Digital Compositor

Miral (2010)

Directed by: Julian Schnabel

Cinematography by: Eric Gautier

Edited by: Juliette Welfling

Les aventures extraordinaires d'Adèle Blanc-Sec | ShotOnWhat?

Digital Compositor

Les aventures extraordinaires d'Adèle Blanc-Sec (2010)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

District 13: Ultimatum | ShotOnWhat?

Digital Compositor

District 13: Ultimatum (2009)

Directed by: Patrick Alessandrin

Cinematography by: Jean-François Hensgens

Edited by: Stéphane Garnier, Julien Rey

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Cyprien | ShotOnWhat?

Digital Compositor

Cyprien (2009)

Directed by: David Charhon

Cinematography by: Antoine Roch

Edited by: Sophie Reine

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Gamer | ShotOnWhat?

Digital Compositor

Gamer (2009)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Ekkehart Pollack

Edited by: Peter Amundson, Fernando Villena, Doobie White

Cameras: ARRIFLEX 435 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Micmacs à tire-larigot | ShotOnWhat?

Digital Compositor

Micmacs à tire-larigot (2009)

Directed by: Jean-Pierre Jeunet

Cinematography by: Tetsuo Nagata

Edited by: Hervé Schneid

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Classic Spherical Lenses

Le code a changé | ShotOnWhat?

Digital Compositor

Le code a changé (2009)

Directed by: Danièle Thompson

Cinematography by: Jean-Marc Fabre

Edited by: Sylvie Landra

Cameras: Moviecam Compact MK2 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Mesrine Part 1: Killer Instinct | ShotOnWhat?

Digital Compositor

Mesrine Part 1: Killer Instinct (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Hervé Schneid

Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Anamorphic Lenses

Mesrine Part 2: Public Enemy #1 | ShotOnWhat?

Digital Compositor

Mesrine Part 2: Public Enemy #1 (2008)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Stéphane Garnier, Bill Pankow, Hervé Schneid

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Cameras, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Il mercante di pietre | ShotOnWhat?

Digital Compositor

Il mercante di pietre (2006)

Directed by: Renzo Martinelli

Cinematography by: Blasco Giurato

Edited by: Osvaldo Bargero

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