1.85:1 | 1571 Titles
Maestro (2005)
Directed by | Géza M. Tóth | Cinematography by | Tamás Megyeri, Géza M. Tóth | Editing by | Géza M. Tóth
The Time That Remains (2016)
Directed by | B.T. Crue | Cinematography by | David J. Schweitzer | Editing by | Sean Pollaro
Cameras | Aaton XTR Prod Camera
Lenses | Canon EC Series Lenses
Iraq in Fragments (2006)
Directed by | James Longley | Cinematography by | James Longley | Editing by | James Longley, Billy McMillin, Fiona Otway
Cameras | Panasonic AG-DVX100 Camera
Efter brylluppet (2006)
Directed by | Susanne Bier | Cinematography by | Morten Søborg | Editing by | Pernille Bech Christensen, Morten Højbjerg
Taxi to the Dark Side (2007)
Directed by | Alex Gibney | Cinematography by | Maryse Alberti, Greg Andracke | Editing by | Sloane Klevin
Surf’s Up (2007)
Sicko (2007)
Directed by | Michael Moore | Cinematography by | Andrew Black, Jayme Roy | Editing by | Geoffrey Richman, Christopher Seward, Dan Swietlik
Sari’s Mother (2006)
Directed by | James Longley | Cinematography by | James Longley | Editing by | James Longley, Fiona Otway
Cameras | Panasonic AG-DVX100 Camera
Persepolis (2007)
Once (2007)
Directed by | John Carney | Cinematography by | Tim Fleming | Editing by | Paul Mullen
Cameras | Sony HVR-Z1E Camera
No End in Sight (2007)
Directed by | Charles Ferguson | Cinematography by | Antonio Rossi | Editing by | Chad Beck, Cindy Lee
Madame Tutli-Putli (2007)
Directed by | Chris Lavis, Maciek Szczerbowski | Cinematography by | Stéphanie Anne Weber Biron
Cameras | Canon EOS 30D Camera
One-Eyed Jacks (1961)
Directed by | Marlon Brando | Cinematography by | Charles Lang | Editing by | Archie Marshek
Cameras | VistaVision Cameras
The Desperate Hours (1955)
Directed by | William Wyler | Cinematography by | Lee Garmes | Editing by | Robert Swink
Cameras | VistaVision Cameras
The Buccaneer (1958)
Directed by | Anthony Quinn | Cinematography by | Loyal Griggs | Editing by | Archie Marshek
Cameras | VistaVision Cameras
The Searchers (1956)
Directed by | John Ford | Cinematography by | Winton C. Hoch | Editing by | Jack Murray
Cameras | Mitchell VistaVision Camera