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Year Released ~ 1978  |  112 Titles

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'The Rockford Files' The Attractive Nuisance   (1978)

Country | USA

Running Time | 60 Minutes
Directed by | Dana Elcar | Cinematography by | Andrew Jackson | Editing by | George R. Rohrs
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'The Rockford Files' The Gang at Don’s Drive-In   (1978)

Country | USA

Running Time | 60 Minutes
Directed by | Harry Falk | Cinematography by | Andrew Jackson | Editing by | Rod Stephens
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Grease   (1978)

Country | USA

Running Time | 110 Minutes
Directed by | Randal Kleiser | Cinematography by | Bill Butler | Editing by | John F. Burnett
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Fedora   (1978)

Country | France, West Germany

Running Time | 114 Minutes
Directed by | Billy Wilder | Cinematography by | Gerry Fisher | Editing by | Stefan Arnsten, Fredric Steinkamp
Cameras |

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Lady of the House   (1978)

Country | USA

Running Time | 100 Minutes
Aspect Ratio |
Directed by | Ralph Nelson, Vincent Sherman | Cinematography by | Robert L. Morrison | Editing by | John A. Martinelli
Cameras |

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Absolution   (1978)

Country | UK

Running Time | 95 Minutes
Directed by | Anthony Page | Cinematography by | John Coquillon | Editing by | John Victor Smith
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The Swarm   (1978)

Country | USA

Running Time | 116 Minutes
Aspect Ratio |
Directed by | Irwin Allen | Cinematography by | Fred J. Koenekamp | Editing by | Harold F. Kress
Cameras |

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Magic   (1978)

Country | USA

Running Time | 107 Minutes
Aspect Ratio |
Directed by | Richard Attenborough | Cinematography by | Victor J. Kemper | Editing by | John Bloom
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The Big Sleep   (1978)

Country | UK, USA

Running Time | 99 Minutes
Aspect Ratio |
Directed by | Michael Winner | Cinematography by | Robert Paynter
Cameras |

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The One and Only   (1978)

Country | USA

Running Time | 97 Minutes
Aspect Ratio |
Directed by | Carl Reiner | Cinematography by | Victor J. Kemper | Editing by | Bud Molin
Cameras |

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Every Which Way But Loose   (1978)

Country | USA

Running Time | 114 Minutes
Aspect Ratio |
Directed by | James Fargo | Cinematography by | Rexford L. Metz | Editing by | Joel Cox, Ferris Webster
Cameras |

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The Bad News Bears Go to Japan   (1978)

Country | Japan, USA

Running Time | 91 Minutes
Aspect Ratio |
Directed by | John Berry | Cinematography by | Kôzô Okazaki, Gene Polito | Editing by | Richard A. Harris, Dennis Virkler
Cameras |

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It Lives Again   (1978)

Country | USA

Running Time | 91 Minutes
Aspect Ratio |
Directed by | Larry Cohen | Cinematography by | Fenton Hamilton | Editing by | Curtis Burch, Louis G. Friedman, Carol Oblath, Dennis Michelson
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Straight Time   (1978)

Country | USA

Running Time | 114 Minutes
Aspect Ratio |
Directed by | Ulu Grosbard, Dustin Hoffman | Cinematography by | Owen Roizman | Editing by | Sam O'Steen, Randy Roberts
Cameras |

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A Real American Hero   (1978)

Country | USA

Running Time | 90 Minutes
Aspect Ratio |
Directed by | Lou Antonio | Cinematography by | Charles Correll | Editing by | Houseley Stevenson Jr.
Cameras |

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Casey’s Shadow   (1978)

Country | USA

Running Time | 117 Minutes
Aspect Ratio |
Directed by | Martin Ritt | Cinematography by | John A. Alonzo | Editing by | Sidney Levin
Cameras |

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The Cheap Detective   (1978)

Country | USA

Running Time | 92 Minutes
Aspect Ratio |
Directed by | Robert Moore | Cinematography by | John A. Alonzo | Editing by | Sidney Levin, Michael A. Stevenson
Cameras |

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Force 10 from Navarone   (1978)

Country | UK, USA

Running Time | 118 Minutes
Aspect Ratio |
Directed by | Guy Hamilton | Cinematography by | Christopher Challis | Editing by | Raymond Poulton
Cameras |

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California Suite   (1978)

Country | USA

Running Time | 103 Minutes
Aspect Ratio |
Directed by | Herbert Ross | Cinematography by | David M. Walsh | Editing by | Michael A. Stevenson
Cameras |

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Koko, a Talking Gorilla   (1978)

Country | France

Running Time | 85 Minutes
Directed by | Barbet Schroeder | Cinematography by | Néstor Almendros | Editing by | Dominique Auvray, Denise de Casabianca
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