Year Released ~ 1978  |  115 Titles

'Charlie’s Angels' Pom Pom Angels   (1978)

  |  Color  |  49 Minutes
Directed by | Cliff Bole | Cinematography by | Richard M. Rawlings Jr. | Editing by | Leonard Malek

'Charlie’s Angels' Haunted Angels   (1978)

  |  Color  |  50 Minutes
Directed by | Ronald Austin | Cinematography by | Richard L. Rawlings | Editing by | Joseph Dervin

'Charlie’s Angels' Angels in Springtime   (1978)

  |  Color  |  50 Minutes
Directed by | Larry Stewart | Cinematography by | Richard L. Rawlings | Editing by | Joseph Dervin

'Charlie’s Angels' Angel on High   (1978)

  |  Color  |  50 Minutes
Directed by | Lawrence Doheny | Cinematography by | Richard L. Rawlings | Editing by | John McSweeney Jr.

'Charlie’s Angels' Angel Come Home   (1978)

  |  Color  |  50 Minutes
Directed by | Paul Stanley | Cinematography by | Richard L. Rawlings | Editing by | Joseph Dervin

'Charlie’s Angels' Angels in Vegas   (1978)

  |  Color  |  104 Minutes
Directed by | Bob Kelljan | Cinematography by | Richard L. Rawlings | Editing by | Jack Harnish

'Charlie’s Angels' Antique Angels   (1978)

  |  Color, Black and White  |  49 Minutes
Directed by | Leon Carrere | Cinematography by | Richard L. Rawlings | Editing by | George W. Brooks

'Charlie’s Angels' Angels on the Run   (1978)

  |  Color  |  49 Minutes
Directed by | Bob Kelljan | Cinematography by | Richard L. Rawlings | Editing by | Joseph Dervin

'Charlie’s Angels' The Jade Trap   (1978)

  |  Color  |  49 Minutes
Directed by | George McCowan | Cinematography by | Richard L. Rawlings | Editing by | Leon Carrere, John W. Wheeler

'The Rockford Files' White on White and Nearly Perfect   (1978)

  |  Color  |  60 Minutes
Directed by | Stephen J. Cannell | Cinematography by | Andrew Jackson | Editing by | Diane Adler

'The Rockford Files' The Jersey Bounce   (1978)

  |  Color  |  60 Minutes
Directed by | William Wiard | Cinematography by | Andrew Jackson | Editing by | George R. Rohrs

'The Rockford Files' Rosendahl and Gilda Stern Are Dead   (1978)

  |  Color  |  60 Minutes
Directed by | William Wiard | Cinematography by | Andrew Jackson | Editing by | Rod Stephens

'The Rockford Files' Heartaches of a Fool   (1978)

  |  Color  |  60 Minutes
Directed by | William Wiard | Cinematography by | Andrew Jackson | Editing by | George R. Rohrs

'The Rockford Files' The House on Willis Avenue   (1978)

  |  Color  |  120 Minutes
Directed by | Hy Averback | Cinematography by | Andrew Jackson | Editing by | George R. Rohrs

'The Rockford Files' The Prisoner of Rosemont Hall   (1978)

  |  Color  |  60 Minutes
Directed by | Ivan Dixon | Cinematography by | Andrew Jackson | Editing by | George R. Rohrs

'The Rockford Files' The Competitive Edge   (1978)

  |  Color  |  60 Minutes
Directed by | Harry Falk | Cinematography by | Andrew Jackson | Editing by | Diane Adler

'The Rockford Files' South by Southeast   (1978)

  |  Color, Color  |  60 Minutes
Directed by | William Wiard | Cinematography by | Andrew Jackson | Editing by | George R. Rohrs

'The Rockford Files' Dwarf in a Helium Hat   (1978)

  |  Color  |  60 Minutes
Directed by | Reza Badiyi | Cinematography by | Andrew Jackson | Editing by | Rod Stephens

'The Rockford Files' The Paper Palace   (1978)

  |  Color  |  60 Minutes
Directed by | Richard Crenna | Cinematography by | Andrew Jackson | Editing by | Diane Adler

'The Rockford Files' Kill the Messenger   (1978)

  |  Color  |  60 Minutes
Directed by | Ivan Dixon | Cinematography by | Andrew Jackson | Editing by | Rod Stephens
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