Mono  |  484 Titles

Mono 1.00/5 1 Vote

Little House: Look Back to Yesterday   (1983)

  |    |  Color  |    |  120 Minutes
Directed by | Victor French | Cinematography by | Brianne Murphy | Editing by | Jerry Taylor
Cameras |

Kamilla og tyven   (1988)

  |    |  Color, Color  |    |  106 Minutes

Come September   (1961)

  |    |    |  112 Minutes
Directed by | Robert Mulligan | Cinematography by | William H. Daniels | Editing by | Russell F. Schoengarth

Crimes and Misdemeanors   (1989)

  |    |  Black and White, Color  |    |  104 Minutes
Directed by | Woody Allen | Cinematography by | Sven Nykvist | Editing by | Susan E. Morse
Cameras |

Blue Collar   (1978)

  |    |  Color  |    |  114 Minutes
Directed by | Paul Schrader | Cinematography by | Bobby Byrne | Editing by | Tom Rolf
Cameras |

The Big Fix   (1978)

  |    |  Color  |    |  108 Minutes
Directed by | Jeremy Kagan | Cinematography by | Frank Stanley | Editing by | Patrick Kennedy
Cameras |

The Protector   (1985)

  |    |  Color  |    |  91 Minutes

…and justice for all.   (1979)

  |    |  Color  |    |  119 Minutes
Directed by | Norman Jewison | Cinematography by | Victor J. Kemper | Editing by | John F. Burnett
Cameras |

The Return of the Living Dead   (1985)

  |    |  Color  |    |  91 Minutes
Directed by | Dan O'Bannon | Cinematography by | Jules Brenner | Editing by | Robert Gordon
Cameras |

F.I.S.T.   (1978)

  |    |  Color  |    |  145 Minutes
Directed by | Norman Jewison | Cinematography by | László Kovács | Editing by | Graeme Clifford
Cameras |

Strange Brew   (1983)

  |    |  Color  |  ,   |  90 Minutes
Directed by | Rick Moranis, Dave Thomas | Cinematography by | Steven Poster | Editing by | Patrick McMahon
Cameras |

Mountain Family Robinson   (1979)

  |    |  Color  |  100 Minutes
Directed by | Jack Couffer | Cinematography by | James W. Roberson | Editing by | Dan Greer, Clifford Katz
Cameras |

Judgment in Berlin   (1988)

  |    |  Black and White, Color  |    |  96 Minutes
Directed by | Leo Penn | Cinematography by | Gábor Pogány | Editing by | Teddy Darvas
Cameras |

The Verdict   (1982)

  |    |  Color  |    |  129 Minutes
Directed by | Sidney Lumet | Cinematography by | Andrzej Bartkowiak | Editing by | Peter C. Frank
Cameras |

The Gang That Couldn’t Shoot Straight   (1971)

  |    |  Color  |    |  96 Minutes
Directed by | James Goldstone | Cinematography by | Owen Roizman | Editing by | Edward A. Biery
Cameras |

Visiting Hours   (1982)

  |    |  Color  |    |  103 Minutes
Directed by | Jean-Claude Lord | Cinematography by | René Verzier | Editing by | Jean-Claude Lord, Lise Thouin
Cameras |

Chilly Scenes of Winter   (1979)

  |    |  Color  |    |  92 Minutes
Directed by | Joan Micklin Silver | Cinematography by | Bobby Byrne | Editing by | Cynthia Scheider
Cameras |

Flicks   (1983)

  |    |  Color  |  79 Minutes
Directed by | Peter Winograd, Kirk Henderson | Cinematography by | Scott Miller | Editing by | Barbara Pokras
Cameras |

Wise Blood   (1979)

  |    |  Color  |    |  106 Minutes
Directed by | John Huston | Cinematography by | Gerry Fisher | Editing by | Roberto Silvi
Cameras |

The Arrangement   (1969)

  |    |  Color  |    |  125 Minutes
Directed by | Elia Kazan | Cinematography by | Robert Surtees | Editing by | Stefan Arnsten
Cameras |