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Mad Max (1979)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | George Miller | Cinematography by | David Eggby | Editing by | Cliff Hayes, Tony Paterson

Starring | Mel Gibson, Joanne Samuel, Hugh Keays-Byrne, Steve Bisley

Cameras | ARRIFLEX 35 BL Camera

Lenses | Todd-AO Lenses

The Evil Dead (1981)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 85 Minutes

Directed by | Sam Raimi | Cinematography by | Tim Philo | Editing by | Edna Ruth Paul

Starring | Bruce Campbell, Ellen Sandweiss, Richard DeManincor, Betsy Baker

Cameras | ARRIFLEX 16BL Camera, ARRIFLEX 16S Camera

Brightness (1987)

Motion Picture | 2D | Color | 1.66:1 | 105 Minutes

Directed by | Souleymane Cissé | Cinematography by | Jean-Noël Ferragut, Jean-Michel Humeau | Editing by | Dounamba Coulibaly, Andrée Davanture, Jenny Frenck, Nathalie Goepfert, Seipati Keita, Marie-Catherine Miqueau, Seipati N'Xumalo

Starring | Issiaka Kane, Aoua Sangare, Niamanto Sanogo, Balla Moussa Keita

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Angenieux HP Zoom Lenses, Zeiss Standard Speed Prime Lenses

The Godfather: Part II (1974)

Motion Picture | 2D | Film Project | Color | 1.78:1 (16x9), 1.85:1 | 202 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Gordon Willis | Editing by | Barry Malkin, Richard Marks, Peter Zinner

Starring | Al Pacino, Robert De Niro, Robert Duvall, Diane Keaton

Cameras | Mitchell BNCR Camera

Lenses | Bausch & Lomb Super Baltar Lenses, Kowa Lenses

Wings (1927)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 144 Minutes

Directed by | William A. Wellman, Harry d'Abbadie d'Arrast | Cinematography by | Harry Perry | Editing by | E. Lloyd Sheldon, Lucien Hubbard

Starring | Clara Bow, Charles 'Buddy' Rogers, Richard Arlen, Jobyna Ralston

Cameras | Akeley 35mm Ciné Camera, Bell & Howell Eyemo Camera

A Fish Called Wanda (1988)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 108 Minutes

Directed by | Charles Crichton, John Cleese | Cinematography by | Alan Hume | Editing by | John Jympson

Starring | John Cleese, Jamie Lee Curtis, Kevin Kline, Michael Palin

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Star Wars: Episode IV – A New Hope (1977)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 2.20:1, 2.39:1, 2.64:1 | 121 Minutes

Directed by | George Lucas | Cinematography by | Gilbert Taylor | Editing by | Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Alec Guinness

Cameras | Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Silent Reflex PSR Camera, VistaVision Cameras

Lenses | Panavision Lenses

Brannigan (1975)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Douglas Hickox | Cinematography by | Gerry Fisher | Editing by | Malcolm Cooke

Starring | John Wayne, Richard Attenborough, Judy Geeson, Mel Ferrer

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Bullitt (1968)

Motion Picture | 2D | Color | 1.85:1 | 114 Minutes

Directed by | Peter Yates | Cinematography by | William A. Fraker | Editing by | Frank P. Keller

Starring | Steve McQueen, Jacqueline Bisset, Robert Vaughn, Don Gordon

Cameras | ARRIFLEX Camera

Lenses | ARRI Lenses

Annie Hall (1977)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.85:1 | 93 Minutes

Directed by | Woody Allen | Cinematography by | Gordon Willis | Editing by | Wendy Greene Bricmont, Ralph Rosenblum

Starring | Woody Allen, Diane Keaton, Tony Roberts, Carol Kane

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Dog Day Afternoon (1975)

Motion Picture | 2D | Color | 1.33:1 (4x3), 1.85:1 | 125 Minutes

Directed by | Sidney Lumet | Cinematography by | Victor J. Kemper | Editing by | Dede Allen

Starring | Al Pacino, John Cazale, Penelope Allen, Sully Boyar

Cameras | Panavision Cameras

Lenses | Panavision Lenses

A Chronicle of Corpses (2000)

Motion Picture | 2D | Color | 1.37:1 | 83 Minutes

Directed by | Andrew Repasky McElhinney | Cinematography by | Abe Holtz | Editing by | Ron Kalish

Starring | Marj Dusay, Oliver Wyman, Margot White, Ryan Foley

Cameras | Aaton Cameras

Terms of Endearment (1983)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 132 Minutes

Directed by | James L. Brooks | Cinematography by | Andrzej Bartkowiak | Editing by | Richard Marks

Starring | Shirley MacLaine, Debra Winger, Jack Nicholson, Danny DeVito

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision Lenses

The Big Slice (1991)

Motion Picture | 2D | Other Project Resolution | Color | 86 Minutes

Directed by | John Bradshaw | Cinematography by | Ludek Bogner | Editing by | Nick Rotundo

Starring | Casey Siemaszko, Leslie Hope, Louis Ferreira, Kenneth Welsh

Cameras | ARRI ARRIFLEX Series Cameras

The French Connection (1971)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 104 Minutes

Directed by | William Friedkin | Cinematography by | Owen Roizman | Editing by | Gerald B. Greenberg

Starring | Gene Hackman, Roy Scheider, Fernando Rey, Tony Lo Bianco

Cameras | ARRIFLEX 35 IIC Camera

Lenses | ARRI / Zeiss Lenses

Hannibal (1959)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 103 Minutes

Directed by | Carlo Ludovico Bragaglia, Edgar G. Ulmer | Cinematography by | Raffaele Masciocchi | Editing by | Renato Cinquini

Starring | Victor Mature, Gabriele Ferzetti, Rita Gam, Milly Vitale

Qi ji (1989)

Motion Picture | 2D | Color | 2.39:1 | 139 Minutes

Directed by | Jackie Chan | Cinematography by | Arthur Wong | Editing by | Peter Cheung

Starring | Jackie Chan, Anita Mui, Ah-Lei Gua, Chun-Hsiung Ko

Cameras | ARRIFLEX 35 III Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Blood Beach (1980)

Motion Picture | 2D | Color | 1.85:1 | 92 Minutes

Directed by | Jeffrey Bloom | Cinematography by | Steven Poster | Editing by | Gary Griffin

Starring | David Huffman, Marianna Hill, Burt Young, Otis Young

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Ordinary People (1980)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 124 Minutes

Directed by | Robert Redford | Cinematography by | John Bailey | Editing by | Jeff Kanew

Starring | Donald Sutherland, Mary Tyler Moore, Judd Hirsch, Timothy Hutton

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision Lenses

A Better Place (1997)

Motion Picture | 2D | Color | 1.66:1 | 87 Minutes

Directed by | Vincent Pereira | Cinematography by | Ian Dudley | Editing by | Vincent Pereira

Starring | Eion Bailey, Robert DiPatri, Joseph Cassese, Carmen Llywelyn

Cameras | ARRIFLEX 16SR Camera

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