Americas | 1901 Titles
A Streetcar Named Desire (1951)
The Philadelphia Story (1940)
The Best Years of Our Lives (1946) 
My Fair Lady (1964)
Directed by | George Cukor | Cinematography by | Harry Stradling Sr. | Editing by | William H. Ziegler
Cameras | Super Panavision-70 Camera
Patton (1970)
Directed by | Franklin J. Schaffner | Cinematography by | Fred J. Koenekamp | Editing by | Hugh S. Fowler
Cameras | Mitchell FC 65mm Camera
The Apartment (1960)
Directed by | Billy Wilder | Cinematography by | Joseph LaShelle | Editing by | Daniel Mandell
Cameras | Mitchell Cameras
High Noon (1952)
Directed by | Fred Zinnemann | Cinematography by | Floyd Crosby | Editing by | Elmo Williams
Cameras | Mitchell Cameras
City Lights (1931)
Directed by | Charles Chaplin | Cinematography by | Gordon Pollock, Roland Totheroh | Editing by | Charles Chaplin, Willard Nico
Midnight Cowboy (1969)
Fargo (1996)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Standard Speed Prime Lenses
Rio Grande (1950)
The Big Parade (1925)
Directed by | King Vidor, George W. Hill | Cinematography by | John Arnold, Charles Van Enger | Editing by | Hugh Wynn
Cameras | Akeley 35mm Ciné Camera
Sleep, My Love (1948)
A Fine Pair (1968)
A Double Life (1947)
Directed by | George Cukor | Cinematography by | Milton R. Krasner | Editing by | Robert Parrish
Cameras | Mitchell BNC Camera
Serpico (1973)
Directed by | Sidney Lumet | Cinematography by | Arthur J. Ornitz | Editing by | Dede Allen, Richard Marks
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Pursued (1947)
How to Marry a Millionaire (1953)
Directed by | Jean Negulesco | Cinematography by | Joseph MacDonald | Editing by | Louis R. Loeffler
The Night of the Hunter (1955)
