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Rocket Science | 4 Titles

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Living (2022)

Motion Picture | 2D | 2K Project | Color | 102 Minutes

Directed by | Oliver Hermanus | Cinematography by | Jamie Ramsay | Editing by | Chris Wyatt

Starring | Bill Nighy, Aimee Lou Wood, Alex Sharp

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Supreme Prime Series Lenses

May December (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 117 Minutes

Directed by | Todd Haynes | Cinematography by | Christopher Blauvelt | Editing by | Affonso Gonçalves

Starring | Natalie Portman, Chris Tenzis, Charles Melton

Cameras | ARRI Alexa 35 Camera

Lenses | Kowa Cine Prominar Spherical Lenses

All Quiet on the Western Front (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

Directed by | Edward Berger | Cinematography by | James Friend | Editing by | Sven Budelmann

Starring | Felix Kammerer, Albrecht Schuch, Aaron Hilmer

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera

Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses

At Eternity’s Gate (2018)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 111 Minutes

Directed by | Julian Schnabel | Cinematography by | Benoît Delhomme | Editing by | Louise Kugelberg, Julian Schnabel

Starring | Willem Dafoe, Rupert Friend, Oscar Isaac, Mads Mikkelsen

Cameras | Red Helium (Weapon) 8K

Lenses | Kowa Cine Prominar 20mm T2.3 Lens, Kowa Cine Prominar 25mm T2.3 Lens, Kowa Cine Prominar 32mm T2.3 Lens, Kowa Cine Prominar Spherical Lenses

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