Television Series | 288 Titles
Everybody Loves Raymond (1996)
| Cinematography by | Mike Berlin, Alessio Gelsini Torresi, Mikel Neiers | Editing by | Patricia Barnett, George Escobar, Jerry Davis, Frank Mazzaro
Cameras | Panavision Cameras
The Rockford Files (1974)
| Cinematography by | Andrew Jackson, Lamar Boren, Leonard J. South | Editing by | George R. Rohrs, Diane Adler, Buford F. Hayes, Rod Stephens, John J. Dumas, I. Robert Levy, John Kaufman, Fred Baratta, Edward A. Biery, Jerry Dronsky, Gloryette Clark, Robert M. Leeds, Robert L. Kimble, Lawrence J. Vallario
Cameras | ARRIFLEX 35 BL3 Camera
Leverage (2008)
| Cinematography by | David Connell, Neil Holcomb, Alan Caso | Editing by | Sonny Baskin, Brian Gonosey, David Siegel, Chris A. Peterson
Fargo (2014)
| Cinematography by | Dana Gonzales, Craig Wrobleski, Matthew J. Lloyd | Editing by | Regis Kimble, Skip Macdonald, Bridget Durnford, Curtis Thurber, Henk Van Eeghen, Andrew Seklir
Cameras | ARRI ALEXA Plus Camera
The Bletchley Circle (2012)
| Cinematography by | John Pardue, Jake Polonsky, Adam Suschitzky | Editing by | Stephen O'Connell, St. John O'Rorke, David Rees
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Luther (2010)
| Cinematography by | Julian Court, Giulio Biccari, John Conroy, John Pardue, Tim Fleming, Stephan Pehrsson | Editing by | Katie Weiland, Tania Reddin, Jamie Trevill, Victoria Boydell, Sam Williams, Elen Pierce Lewis, Joel Skinner
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Upstairs Downstairs (2010)
| Cinematography by | Adam Suschitzky, John Conroy, Peter Greenhalgh, Ian Moss | Editing by | Úna Ní Dhonghaíle, Paul Brown, Crispin Green, Isobel Stephenson, Caroline Limmer
Cameras | ARRI ALEXA Camera
Californication (2007)
| Cinematography by | Michael Weaver, Tim Bellen, Andy Graham, Peter Levy | Editing by | Shannon Mitchell, Kevin D. Ross, Todd Desrosiers, Michael D. Ornstein, Tony Solomons, Mark Manos, David Brixton, James A. Brewer, Ralph Yuan Wong
Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Sony CineAlta F23 Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
Shameless (2011)
| Cinematography by | Kevin McKnight, Rodney Charters, Anthony Hardwick, Loren S. Yaconelli, James M. Muro | Editing by | John M. Valerio, Regis Kimble, Tim Tommasino, Russell Denove, Mark Strand, Gregg Featherman, Kelley Dixon, Finnian Murray, Michael Stern, Thomas M. Bolger, Robert Bramwell, Omar Hassan-Reep, Shannon Mitchell, Kevin D. Ross, Mark Sadlek, Toby Yates, Julie Monroe, Jeffrey M. Werner, Sam Bollinger, David Moritz, Brent McReynolds, Chetin Chabuk
Cameras | ARRI ALEXA Camera, Red One MX Camera
Boss (2011)
| Cinematography by | Richard Rutkowski, Kasper Tuxen | Editing by | Kevin Casey, Elba Sanchez-Short, Stephen Mark, Jo Francis, J. Kathleen Gibson, Elliot Graham, Dorian Harris
Cameras | ARRI ALEXA Camera
Le sang de la vigne (2011)
| Cinematography by | Jean-Claude Aumont, Gérard Sterin, Philippe Pavans de Ceccatty | Editing by | Gaëlle Ramillon, Dominique Mazzoléni, Françoise Roux, Fred Béraud-Dufour
Cameras | Sony SRW-9000PL Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens
The Returned (2012)
| Cinematography by | Patrick Blossier | Editing by | Bertrand Nail, Peggy Koretzky, Laurence Bawedin, Mike Fromentin, Gwen Mallauran
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Profilage (2009)
| Cinematography by | Marc Falchier, Benjamin Louet, Jean-Philippe Gosselin, Laurent Dhainaut, Thierry Deschamp, Dominique Brenguier, Vincent Vieillard-Baron | Editing by | Emmanuel Douce, Ludivine Saes, François Charpentier, Bertrand Maillard, Vincent Delorme, Magalie Tate, Bob Rayers, Jean de Garrigues, Julien Ouvrard, Frédéric Massiot, Romaric Nereau, Nicolas Garnier, Quentin Boulay, Romain Namura
Cameras | ARRI ALEXA Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens
La croisière (2013)
| Cinematography by | Jean-Philippe Bouyer | Editing by | Stéphanie Gaurier, Mathieu Doll
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Main courante (2012)
| Cinematography by | Luc Pagès | Editing by | Nicolas Pechitch, Bob Rayers, Jean de Garrigues
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses
Nashville (2012)
| Cinematography by | Michael Lohmann, Ross Berryman, Shawn Maurer, Tim Sutherland, Rob Sweeney, Rodney Charters | Editing by | Farrel Levy, Lizzy Calhoun, Larry McGinley, Jamin Bricker, Garret Price, Glenn Farr, J. Kathleen Gibson, Michael Hathaway, Keith Henderson
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
Chicago Fire (2012)
| Cinematography by | Lisa Wiegand, Jayson Crothers, William R. Nielsen Jr., Marc Ritzema, Anthony J. Lullo | Editing by | Megan D'Arco, Micky Blythe, Oscar Rene Lozoya II, Adam Stilestein, Etienne Des Lauriers, Jeff Cenkner, Michael Schweitzer, Rick Tuber, Billy Fox, John David Buxton
Cameras | ARRI ALEXA Camera
The Mob Doctor (2012)
| Cinematography by | Arthur Albert | Editing by | John Duffy, Augie Hess, John Axness, Bill Johnson, Lisa Bromwell
Cameras | Red Epic Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
Ashes to Ashes (2008)
| Cinematography by | Simon Archer, Tim Palmer, Adam Suschitzky, Julian Court, Nic Lawson, Fabian Wagner, Balazs Bolygo | Editing by | Jonathan Amos, Jamie Pearson, Ben Drury, Barney Pilling, Paul Endacott, Elen Pierce Lewis, Sam Williams, Jamie Trevill, Guy Bensley
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Mafiosa (2006)
| Cinematography by | Aleksander Kaufmann, Pierre Novion, Patrick Blossier | Editing by | Pascale Fenouillet, Isabelle Laclau, Sylvie Pontoizeau, Peggy Koretzky, Eric Armbruster, Camille Toubkis, Jean-Paul Husson
Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke CXX 15-40mm T2.0 Lens, Cooke S4 Lenses, Zeiss Super Speed Lenses
