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Elvis | ShotOnWhat?

Gaffer: Second Unit

Elvis (2022)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Jonathan Redmond, Matt Villa

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision T Series Anamorphic Lenses

Galore | ShotOnWhat?

Gaffer

Galore (2013)

Directed by: Rhys Graham

Cinematography by: Stefan Duscio

Edited by: Andy Canny

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses: Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens

Don't Be Afraid of the Dark | ShotOnWhat?

Lamp Operator

Don't Be Afraid of the Dark (2010)

Directed by: Troy Nixey

Cinematography by: Oliver Stapleton

Edited by: Jill Bilcock

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Knowing | ShotOnWhat?

Lighting Technician

Knowing (2009)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: Richard Learoyd

Cameras: Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Where the Wild Things Are | ShotOnWhat?

Electrician

Where the Wild Things Are (2009)

Directed by: Spike Jonze

Cinematography by: Lance Acord

Edited by: James Haygood, Eric Zumbrunnen

Cameras: Aaton 35-III Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

The Gates of Hell | ShotOnWhat?

Gaffer

The Gates of Hell (2008)

Directed by: Kelly Dolen

Cinematography by: Marc Windon

Edited by: James Cole

River Queen | ShotOnWhat?

Generator Operator

River Queen (2005)

Directed by: Vincent Ward

Cinematography by: Alun Bollinger

Edited by: Ewa J. Lind

Boogeyman | ShotOnWhat?

Electrician

Boogeyman (2005)

Directed by: Stephen Kay

Cinematography by: Bobby Bukowski

Edited by: John Axelrad

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